A Quote by Michel de Montaigne
To know how to live is my trade and my art.
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I know that I am an excellent live performer. I know that I have spent my life paying attention to my art form, developing my art form, worrying about my show and what it is I'm bringing to people, making sure that I give them a fine trade. They get a two-hour show, sometimes a three-hour show, for a decent price.
There is no separate art of life. If you know how to allow poetry, if you know how to allow dance, if you know how to allow love - if you know how to ALLOW, then you know the art of life. In the allowing, in the let-go, in the surrender, is the art of life. How not to be and to let God be - that is the only art of life.
Just trying to live our lives and figuring out how to turn that into art. It's tough to say that the art was premeditated. Instead you just focused on living. 'How do I want to live? What do I want to do?' Then you figured out how to make that into art.
All religions are nothing but a science - or an art - to teach you how to die. And the only way to teach you how to die is to teach you how to live. They are not separate. If you know what right living is, you will know what right dying is. So the first thing, or the most fundamental thing is: how to live.
Animation should be an art…what you fellows have done with it, making it into a trade…not an art, but a trade…bad luck.
Art has to be, you know, trade itself, conform to the old strict guidelines set forth by how it was going to act in the future.
My trade and art is to live.
We have trade with China. We lose hundreds of billions of dollars a year on trade with China. They know how I feel. It's not going to continue like that. But if China helps us, I feel a lot differently toward trade. A lot differently toward trade.
It's always the case that the minority has to navigate two different worlds. Women have to know how to live in a man's world. Gay people have to know how to live in a straight world. Black people gotta know how to live in a predominantly white world.
A lot of people who curate in the business, and curate the art, don't really have good artistic sense. They may know commerce, but they aren't savvy enough to know how to balance commerce and art, you know? They don't know how to satisfy both palates.
Defining art is huge; I feel like it's such a subjective thing. It's more like what's not art. You know what I mean? I think there can be an art in the way people live their lives, and art can be a gift someone gives to somebody.
But how to know the falsity of death? How can we know there is no death? Until we know that, our fear of death will not go either. Until we know the falsity of death, our lives will remain false. As long as there is fear of death, there cannot be authentic life. As long as we tremble with the fear of death, we cannot summon the capacity to live our lives. One can live only when the shadow of death has disappeared forever. How can a frightened and trembling mind live? And when death seems to be approaching every second, how is it possible to live? How can we live?
Most of us are frightened of dying because we don't know what it meant to live.We don't know how to live,therefore we don't know how to die
The most available example of how poetry works for a poet is yourself, and yet you'll probably be the last one to know exactly how you're serving the art and how the art is serving you.
Most people would trade everything they know, everyone they know- they'd trade it all to know they've been seen, and acknowledged, that they might even be remembered. We all know we die. We all know the world is too big for us to be significant. So all we have is the hope of being seen, or heard, even for a moment.
Writers need to learn their trade, and how to negotiate the increasingly difficult marketplace. The trade can be taught and learned just as the craft can. But a workshop where the trade is the principal focus of interest is not a writing workshop. It is a business class.
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