A Quote by Michel de Montaigne
Painting myself for others, I have painted my inward self with colors clearer than my original ones. I have no more made my book than my book has made me--a book consubstantial with its author, concerned with my own self, an integral part of my life; not concerned with some third-hand, extraneous purpose, like all other books.
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Sometimes among our more sophisticated, self-styled intellectuals--and I say self-styled advisedly; the real intellectual I am notsure would ever feel this way--some of them are more concerned with appearance than they are with achievement. They are more concerned with style then they are with mortar, brick and concrete. They are more concerned with trivia and the superficial than they are with the things that have really built America.
Each book tends to have its own identity rather than the author's. It speaks from itself rather than you. Each book is unlike the others because you are not bringing the same voice to every book. I think that keeps you alive as a writer.
I think I had a particular moment when I was 15 years old. I read 'Crime and Punishment,' and that book just, I think, more than any other book made me want to be a writer, 'cause it was the first time that I hadn't just entered a book, but a book had entered me.
I think that some books are more successful than others to certain readers. People who read my books for the humor, they're going to love one book. People who read my books for the mystery, they might not like that book quite as much.
The Rebecca Riots by David Williams is an unassuming book, but its significance is universal. The book and its author determined my life; they made me want to be a historian of Wales and of the world.
The inspiration of a single book has made preachers, poets, philosophers, authors, and statesmen. On the other hand, the demoralization of a single book has sometimes made infidels, profligates, and criminals.
I suppose what's happened recently has confirmed suspicions I voiced in the book, and I think made clearer some of those things that I point out. For instance I have a section of the book where I talk about the possibility of torture.
Being a best-selling author just means the world for me. Some of my happiest memories, growing up, are being at book stores and reading books I couldn't afford, as a kid, and the midnight parties, waiting for the next Harry Potter book. The fact that I have that straw in my cap means more to me than anything I've ever accomplished before.
Ron Karenga wrote a book back in 1968, and in that book, he said that the reason, part of his motivation for starting Kwanzaa was because he felt that Christianity was the white man religion, and he didn't like Jews, and so he made up this lie. And he called it an African holiday because he was concerned that if he didn't call it an African holiday, that black Americans would not participate in it.
Even when I read a book, if the book leaves me the possibility of finding certain solutions or working on my own toward a solution, I prefer that much more than if the book fills me with the answers, gives them to me directly.
The narrative image has more dimensions than the painted image - literature is more complex than painting. Initially, this complexity represents a disadvantage, because the reader has to concentrate much more than when they're looking at a canvas. It gives the author, on the other hand, the opportunity to feel like a creator: they can offer their readers a world in which there's room for everyone, as every reader has their own reading and vision.
'Orthodoxy' is the seminal book of ideas in my life. That book I've read more than any other book. It's the spinal column that leads up to my brain and informs the way I think. Flannery O'Connor is my favorite American writer.
I always feel I have made unfilmable books. I even felt that way about a book of mine that was later made into a movie. But my wife, who has made two films, thinks this one would make a very original film. I'm all for original films.
My life has been one gigantic comic book, and on the other hand, it's been one gigantic book of laurels and amazing accomplishments, and on the other hand, it's been a book full of horror stories. It's a big book.
Reading was only part of the thrill that a book represented. I got a dizzy pleasure from the weight and feel of a new book in my hand, a sensual delight from the smell and crispness of the pages. I loved the smoothness and bright colors of their jackets. For me, a stacked, unread pyramid of books was one of the sexiest architectural designs there was, because what I loved most about books was their promise, the anticipation of what lay between the covers, waiting to be found.
In my case, I made the decision early on that I was going to be very open about the book and claim upfront that each of the stories was based on my life experience. I think my reasoning goes back to what I was saying earlier, about wanting the book to be "more than a book," that I wanted the reader to feel a little unsettled about what they were reading: there's a core of factual truth here.
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