A Quote by Michel de Montaigne

A straight oar looks bent in the water. What matters is not merely that we see things but how we see them. — © Michel de Montaigne
A straight oar looks bent in the water. What matters is not merely that we see things but how we see them.
A straight oar looks bent in the water. It matters not merely that we see a thing, but how we see it.
If I see someone I see the ghost of them, the air around them, and where they’ve been. If I see a city I see it’s living ghostliness—the stray looks, the dying hands. I see it’s needs and its discomforts locked in apartments.
You need to see things, REALLY see them, feel them, live them, so you know what’s big and what’s little, what matters and what to put aside.
I must see new things and investigate them. I want to taste dark water and see crackling trees and wild winds.
Africa - You can see a sunset and believe you have witnessed the Hand of God. You watch the slope lope of a lioness and forget to breathe. You marvel at the tripod of a giraffe bent to water. In Africa, there are iridescent blues on the wings of birds that you do not see anywhere else in nature. In Africa, in the midday heart, you can see blisters in the atmosphere. When you are in Africa, you feel primordial, rocked in the cradle of the world.
One of the most amazing things that can happen is finding someone who sees everything you are and won't let you be anything less. They see the potential of you. They see endless possibilities. And through their eyes, you start to see yourself the same way. As someone who matters. As someone who can make a difference in this world. If you're lucky enough to find this person, never let them go.
'Fire' does not matter, 'earth' and 'air' and 'water' do not matter. 'I' do not matter. No word matters. But man forgets reality and remembers words. The more words he remembers, the cleverer do his fellows esteem him. He looks upon the great transformations of the world, but he does not see them as they were seen when man looked upon reality for the first time. Their names come to his lips and he smiles as he tastes them, thinking he knows them in the naming.
I didn't want to audition the kids so much; I just wanted to talk to them because I like seeing how they are because their mothers usually mess them up with practice. So, I'd rather talk to them and see how they respond. I just throw things at them and see how they can hit the ball back, and Saniyya Sidney was good.
Since I was a kid, I've liked to see how things are done. Sometimes when you see how things are done, it's like watching a 'making of' within the story. You see the physical aspect, the construction of things.
Of all our studies, history is best qualified to reward our research. And when you see that you've got problems, all you have to do is examine the historic method used all over the world by others who have problems similar to yours. And once you see how they got theirs straight, then you know how you can get yours straight.
I really do hope 'The Hate U Give' provides mirrors for readers who don't often get them in books. I've had so many young black girls tell me just how thrilled they are to see someone who looks like them on the cover. I hope that they see themselves in the pages as well.
Everybody goes home at the end of the day and looks at themselves in the mirror and sometimes they see things that they want to see that they like, and sometimes they see some things that they don't like.
I don't judge my effectiveness by how many words I say. I think liberals often see nuances in things... Conservatives tend to see things in black and white. It gives them an air of certainty and conviction that might make them more comfortable to watch.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
Things are because we see them, and what we see, and how we see it, depends on the Arts that influenced us. To look at a thing is very different from seeing a thing. One does not see anything until one sees its beauty. Then, and then only, does it comes into existence.
I started thinking about what I've always been interested in: how people can't see things that are right in front of them. All you have to do is read the papers to see endless examples of smart people who can't see the nose on their faces.
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