A Quote by Michel Faber
One of the things that struck me about the 1870s, which we still haven't nearly addressed, is what to do about the male-female divide. One of the forbidden topics is when men own up to the omnivorousness of their sexual interest and how to square that with being in love with an individual woman.
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On the question of women's sexual freedom or female independence, there are still issues that haven't been worked out. There's an aura of traditional gender roles that is not talked about that really permeates these conversations. There is this vacillation between a desire for independence and having the kinds of sexual freedom that men have and, on the other side, issues about female vulnerability and susceptibility to male aggression and violence. We need more honesty about the actual conditions in which sex is happening.
The male dares to be different to the degree that he accepts his passivity and his desire to be female, his fagginess. The farthest out male is the dragqueen, but he, although different from most men, is exactly like all other dragqueens; like the functionalist, he has an identity - a female; he tries to define all his troubles away - but still no individuality. Not completely convinced that he's a woman, highly insecure about being sufficiently female, he conforms compulsively to the man-made feminine stereotype, ending up as nothing but a bundle of stilted mannerisms.
The first basic need of a male is sexual fulfillment; for a female, affection. The second most basic need of a male is recreational companionship; for a female, communication and conversation. The third basic need of a male in a relationship is an attractive woman; for a woman, honesty and openness. The fourth basic need of a male is domestic support; for a female, financial support. The fifth basic need of a male is admiration and respect; for a woman, family commitment.
If a woman isn't feeling sexual with herself, she won't respond to advances from any partner, male or female. When this woman goes dancing, she's finding a connection with her own erotic self. It might be about being on a dance floor, feeling free, not having to feel at all responsible for anybody else's well-being. For other people, it might be about going on a hike for four days by herself and reconnecting with nature and strength and endurance and beauty.
We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.
the way in which a faith community shapes language about God implicity represents what it takes to be the highest good, the profoundest truth, the most appealing beauty. ... While officially it is rightly and consistently said that God is spirit and so beyond identification with either male or female sex, yet the daily language of preaching, worship, catechesis, and instruction conveys a different message: God is male, or at least more like a man than a woman, or at least more fittingly addressed as male than as female.
I love writing about men. To get by in the world you have to know how men think. Not that all guys think alike, but women tend to think about more things at the same time, an overgeneralization, but I find it easier to make my male characters focus than I do my female characters.
Reviewing the literature on love I noticed how few writers, male or female, talk about the impact of patriarchy, the way in which male domination of women and children stands in the ways of love.
When men create movies about femme fatales, it really is always about how that female can destroy that male. It's not really about what's happening on the interior of that female.
Women and men are divided by gender, made into the sexes as we know them, by the social requirements of heterosexuality, which institutionalizes male sexual dominance and female sexual submission.
I love who I am. But being a woman competing in a male-dominated sport and always trying to push the envelope as a female athlete, you get a lot of comparisons to men and things like that.
Female heterosexuality is not a biological drive or an individual women's erotic attraction or attachment to another human animal which happens to be male. Female heterosexuality is a set of social institutions and practices... Those definitions... are about the oppression and exploitation of women by men.
Being a female director become as professional as your male colleagues and forget the whole question about being female. You are female anyway and it is going to work in your favor. The scope of female professional superiority can be understood by so few men that mostly they do not miss it.
Being a doctor, I worry that the patient may be uncomfortable about sharing something. It could be sexual dysfunction, an eating disorder, depression, domestic violence - these are serious topics many people don't want to talk about. I'll try to follow up with questions like: How are things at home? How's work? But we don't always have time to probe. Don't be afraid to bring up the important things going on in your life, even if they don't feel 'medical.' Your doctor would rather know than not know.
In the sex-war, thoughtlessness is a weapon of the male, vindictiveness of the female. Both are reciprocally generated, but a woman's desire for revenge outlasts all other emotion. Yet when every unkind word about women has been said, we have still to admit, with Byron, that they are nicer than men. They are more devoted, more unselfish and more emotionally sincere. When the long fuse of cruelty, deceit and revenge is set alight, it is male thoughtlessness which has fired it.
My Lolita remarked: "You know, what's so dreadful about dying is that you are completely on your own"; and it struck me, as my automaton knees went up and down, that I simply did not know a thing about my darling's mind and that quite possibly, behind the awful juvenile cliches, there was in her a garden and a twilight, and a palace gate - dim and adorable regions which happened to be lucidly and absolutely forbidden to me, in my polluted rags and miserable convulsions.
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