A Quote by Michel Faber
I'm constantly listening to music and thinking about it and compiling my own cassettes and CDs in obsessively specific order. I have quite lunatic agendas for what I want to achieve. They won't make sense to anyone other than me, but it is what I've spent most of my life doing.
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I remember, when I was a kid, my dad would subscribe to the BMG Music Club, and we got that initial 12 CDs for a penny... I think it was cassettes. Eight CDs or 12 cassettes, something like that.
Deep Listening is listening in every possible way to everything possible to hear no matter what you are doing. Such intense listening includes the sounds of daily life, of nature, or one's own thoughts as well as musical sounds. Deep Listening represents a heightened state of awareness and connects to all that there is. As a composer I make my music through Deep Listening
I think there's something antagonistic about bedroom pop. We're reappropriating pop and saying you don't have to be an ex-Disney star to make pop music. You can be from Shepherd's Bush and have spent most of your life listening to the Smiths and still make a pop record.
I've spent most of my life trying to think my way to happiness, and my failure to achieve that goal only proves, in my mind, that I am not a good enough thinker. It never occurred to me that the source of my unhappiness is not flawed thinking but thinking itself.
Since I'm doing so much science, I think the reason these ideas have occurred to me and not to other people in music is simply the influence that science plays in my life: working in laboratories, thinking of models, hypothesis, putting things together, trying to make sense of it all and so forth.
The difference between listening and pretending to listen, I discovered, is enormous. One is fluid, the other is rigid. One is alive, the other is stuffed. Eventually, I found a radical way of thinking about listening. Real listening is a willingness to let the other person change you. When I’m willing to let them change me, something happens between us that’s more interesting than a pair of dueling monologues.
We realize we can't go around saying and doing what we're actually thinking and feeling. If we all did that, life would be a lunatic asylum. Indeed, that's how you know you're talking to a lunatic. Lunatics are those poor souls who have lost their inner communication and so they allow themselves to say and do exactly what they are thinking and feeling and that's why they're mad.
I grew up on Bach and Beethoven and now I'm listening to more modern composers who I can't even name. But since I'm constantly doing music, it's difficult to have that quality time to listen to music and do classical stuff. That's the only reason I'm thinking of going on.
There is something about performing my own music, and other people's music, that gives me pleasure. I think I learn more by doing that than I ever did studying music.
Technology has long been the driver of growth in the music business from the invention of lacquers, eight-track players, vinyl, cassettes and CDs.
So much of what deejays like myself do is, I'm very interested in - I'm constantly looking for new music, constantly digging, but then also I am thinking about how to present it in a way that kind of makes sense to people who are less - sort of less with their hands in it than I am.
I feel I have to play a role in the transformation of my thoughts. Music is the most powerful way for me to do that, through my own music, through listening to other people's music.
It's all about the music. For me, that's truly what I live for. Just music constantly. Always listening to, writing, or playing music. That's definitely me.
Beyond that, it gets down to the nuts and bolts of discipline - not a tradition or genre, I don't care about that, actually - but discipline in the sense of just working on music and working on thinking about music. It doesn't matter if it's jazz or not. It's about how we listen, how we interact, how we guide our attention when we're listening, and how we can refine what we're doing musically.
Martin, Dave, and I get together and rough out a few songs and put them on cassettes for some reference...With the actual music, I'm not interested in objectivity, quite the opposite. I want a solely and totally subjective experience...A lot of pop music is about stealing pocket money from children.
For me, no matter how much money you want to make off of singing, no matter what kind of fame you want to make, achieve, the most important thing to me is making music that you're proud of, making music that comes from you, comes from an authentic place in you.
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