A Quote by Michel Faber
My affinity, as a novelist, with Dickens has been overstated. I relish the way everything in his prose pulsates with life force, and I'm in debt to him every time I invest inanimate objects with uncanny animism. But his female characters annoy me.
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The thing about Dickens is you either love him or you hate him and I fell in love with Dickens, I fell in love with his prose style and I decided that I wanted to read the whole Dickens verve during the course of my life.
Literature doesn't have a country. Shakespeare is an African writer. His Falstaff, for example, is very African in his appetite for life, his largeness of spirit. The characters of Turgenev are ghetto dwellers. Dickens characters are Nigerians.
Think long and hard about the way you invest your children's time. Time is treasure. And where your time investment is, there you will find the heart of a child. Invest the majority of his time in entertainment, and his heart will be turned to love of pleasure. Invest his time in peers rather then family, and his heart will be with the peers more than his family. There is a time and place for all good things in balance, but wise parents will steward the treasure of time, and in so doing, shepherd their children's hearts.
God is bigger than time,
dates, and appointments.
He wants you to move
through this day with a quiet heart,
an inward assurance that
He is in control, a peaceful certainty
that your life is in His hands,
a deep trust in His plan and purposes,
and a thankful disposition,
toward all that He allows.
He wants you to put your faith in Him,
not in a timetable.
He wants you to wait on Him
and wait for Him.
In His perfect way He will put everything
together, see to every detail...
arrange every circumstance...
and order every step to bring
to pass what He has for you.
His soul is in his stories. I once asked him who inspired him to create his characters, and his answer was no one. That all his characters were himself.
The thought of the novelist lies not in the remarks of his characters or even in their introspection but in the plight he has invented for his characters - in the juxtaposition of those characters and in the lifelike ramifications of the ensemble they make: their density, their substantiality, their lived existence actualized in all its nuanced particulars, is in fact his thought metabolized.
The child's conquest of independence begins with his first introduction to life. While he is developing, he perfects himself and overcomes every obstacle that he finds in his path. A vital force is active within him, and this guides his efforts towards their goal. It is a force called the 'horme', by Sir Percy Nunn.
All Dickens's humour couldn't save Dickens, save him from his overcrowded life, its sordid and neurotic central tragedy and its premature collapse. But Dickens's humour, and all such humour, has saved or at least greatly served the world.
I kissed him, trying to bring him back. I kissed him and let my lips rest against his so that our breath mingled and the tears from my eyes became salt on his skin, and I told myself that, somewhere, tiny particles of him would become tiny particles of me, ingested, swallowed, alive, perpetual. I wanted to press every bit of me against him. I wanted to will something into him. I wanted to give him every bit of life I felt and force him to live.
His guilt is why Acheron went out of his way to make sure that all of you had servants and pay for your work. The Dark-Hunters owe that man everything, and I do mean everything. He pays in blood every time one of you wants to go free, and he suffers every day so that you can all live your cushy little lives of wealth and privilege.” … “And I have to say that every time one of your turns on him, it seriously pisses me off. Acheron asks nothing from any of you and that’s exactly what he receives.
What a large volume of adventures may be grasped within this little span of life by him who interests his heart in every thing, and who, having eyes to see, what time and chance are perpetually holding out to him as he journeyeth on his way, misses nothing he can fairly lay his hands on.
As nonhuman animals, plants, and even 'inanimate' rivers once spoke to our oral ancestors, so the ostensibly “inert” letters on the page now speak to us! This is a form of animism that we take for granted, but it is animism nonetheless - as mysterious as a talking stone.
That perhaps is your task--to find the relation between things that seem incompatible yet have a mysterious affinity, to absorb every experience that comes your way fearlessly and saturate it completely so that your poem is a whole, not a fragment; to re-think human life into poetry and so give us tragedy again and comedy by means of characters not spun out at length in the novelist's way, but condensed and synthesized in the poet's way--that is what we look to you to do now.
Elvis Presley - his music, his movies, his photos. I come across a new image of him every day and try to imagine what he was thinking, what inspired him. His talent and beauty were just incredible, and his passion for life, family, and friends inspires me.
Henry James once defined life as that predicament which precedes death, and certainly nobody owes you a debt of honor or gratitude for getting him into that predicament. But a child does owe his father a debt, if Dad, having gotten him into this peck of trouble, takes off his coat and buckles down to the job of showing his son how best to crash through it.
I do have a tendency to invest inanimate objects with human qualities.
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