A Quote by Michel Faber

The mere fact of my novel being filmed means very little to me. For a long while after 'The Crimson Petal's publication in 2002, it looked as though Hollywood was going to adapt it.
I looked at a lot of photos from Hollywood in the '20s, photographs of silent movies being filmed all over the world which are very specific and very evocative. Berenice, the lead actress, is my wife. She really followed the same path with me.
Your slightest look easily will unclose me, though I have closed myself as fingers, you open petal by petal myself a Spring opens her first rose.
I think that Hollywood is sort of guilty of having a moral blind eye on this subject. While at the same time, you know, being involved in a lot of liberal causes and being involved very militantly, Hollywood is, in fact, guilty of helping to addict people to smoke.
I'm still tremendously proud of 'Crimson Petal.' I'm still very emotionally involved with these characters. I still care about them.
I always wanted to write. While I was on a long surf trip, supporting myself with various day jobs, I was working hard on a novel. My third novel, in fact.
God would not make me wish for something impossible and so, in spite of my littleness, I can aim at being a saint. It is impossible for me to grow bigger, so I put up with myself as I am, with all my countless faults. But I will look for some means of going to heaven by a little way which is very short and very straight, a little way that is quite new[...] It is your arms, Jesus, which are the lift to carry me to heaven, And so there is no need for me to grow up. In fact, just the opposite: I must stay little and become less and less.
Maybe I would have become an actor. I was a very outgoing kid, but being in the hospital - being outside of social action for so long - turned me into an observer. Actually, right after I got out of the hospital, I did start writing a novel, but the book was so transparently about me that I stopped.
I looked after my children, I looked after my husband but there was no one to look after me. I am sure no other woman would have lasted in my situation for too long. But I held onto Mazhar.
It was long after midnight and the stars looked damp and chilly; the air was full of the busy silence of the night, which is created by hundreds of small furry things treading very carefully in the hope of finding dinner while avoiding being the main course.
The successful human being is adaptable. We have to adapt to changes in weather. We have to adapt to changes in climate. We have to adapt to changing economic circumstances. People that don't have the flexibility to adapt or who are afraid of change or who oppose it are going to be left behind.
My Writers Guild of America card is one of my proudest possessions. I was given it after being invited to write the script for a film of my last novel, 'Me Before You,' which is being made by MGM. Whenever I look at it, I think, 'I'm a Hollywood writer!'
There are always differences when you adapt a novel to a film. A novel is longer so you're automatically cutting out elements and introspection but this is actually a film that stays very close to the novel.
The experience that a publication creates for its audience is the very essence of that publication's brand - and without deep engagement, that publication's brand will be weak. A good publication is a convener and an arbiter - it expresses a core narrative that becomes a badge of sorts for its readership.
I just want my child to have security and being looked after by me, by my other half, by my mother and by a nanny. We all share that responsibility equally and I think he is a very well-adjusted little boy.
After the first shock of recognition - a sudden sense of "this is what I'm going to write" - the novel starts to breed by itself; the process goes on solely in the mind, not on paper. I feel a kind of gentle development, an uncurling inside, and I know that the details are there already, that in fact I would see them plainly if I looked closer, but I prefer to wait until what is loosely called inspiration has completed the task for me.
Thunder rumbled. My heart beat faster. I turned away from Evernight for the last time and looked back at the flower as it trembled upon its branch. A single petal was torn away by the wind. Pushing my hands through the thorns, I felt lashes of pain across my skin, but i kept going determined. But when my fingertip touched the flower, it instantly darkened, withering and drying as each petal turned black.
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