A Quote by Michel Gondry

If you're not grown up enough to understand that a trailer is not done by the director, then fine. Judge the movie from the trailer. — © Michel Gondry
If you're not grown up enough to understand that a trailer is not done by the director, then fine. Judge the movie from the trailer.
I'm just saying to everyone. The director does not direct the trailer. It's an edited version that takes so many moments of the movie, sometimes it's not even in the movie. The director does the movie. So don't judge the director based on the trailer. Please.
A lot of times, you watch a trailer for something, and then by the time you get to see the actual movie or show, you realize that the best parts were in the trailer.
I went to watch a movie in a theater, a couple weeks ago, and the trailer came on. My face is in the trailer, and then my name came up on the credits, and this is the dream you dare to dream, that came true.
You were there all day long, 12 hours a day. So there was none of this, 'I'm going back to my trailer, my trailer's bigger than your trailer,' that kind of Hollywood nonsense.
I have a bag with a toothbrush and toothpaste and all the things I might need during the day. I call the bag my trailer. Sometimes you don't have a trailer, so that's my trailer.
When we were all kids, there was one particular trailer that I think we can all remember. That was the trailer for 'Close Encounters of the Third Kind.' There was an amazing teaser trailer with all this weird kind of documentary footage. We were like, 'What was that! I've got to see that! What the hell was that?'
I'm not a big prank guy, because I don't like them done to me. I've been on movies sets where one guys goes into his trailer, and then people move the stairs, and he comes out of his trailer, and there's no stairs. That's not funny! I don't want to be that guy!
The beating heart of your story... that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.
The beating heart of your story that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.
If people don't like the trailer, then blame it on the people who made the trailer.
I grew up pretty much living in trailer houses. The third and final trailer house was called an 'Expando' because you could actually crank it open from 8 feet to 15 feet wide. It was a virtual palace for my brothers and I.
I think there is also a certain degree of expectation that's set up by trailers, where even if you know what's going to happen in parts of the film based on the trailer, you almost anticipate and look forward to those moments based on having seen the trailer.
I didn't want to be looked at as a below-the-poverty-line kid. But now I think, that trailer is where I got the ambition. The anger. If we had a better life, I wouldn't be here. That trailer made me.
Working on 'Raising Hope' is a very hurry-up-and-wait activity, and I just always liked the idea of being as productive as I can be. I write because I don't just want that time to dissolve, where I'm sitting in a trailer staring blankly at the paintings of moccasins that came with the trailer.
In many ways, a teaser trailer these days has just become a short version of the full-length trailer, as opposed to something that grabs you and teases you and makes you go, 'Whoa, what is this?'
First of all, weren't all the best beatings in the trailer for 'The Passion of the Christ'? I hate when the trailer gives away all the best stuff.
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