A Quote by Michel Gondry
My father had a Super 8 camera when I was a kid and sometimes he would use it. I did some animation with it. I did a lot of flipbooks.
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I did radio, I did television, I did opera, I did films in which I had very, very little to say. But I had a lot of experience in front of the camera, and that's what really counts.
I did take my camera along, as I felt there wouldn't be enough time to draw the things I wanted to do. I did some drawing and did a lot of photography but I was not part of Stryker's outfit at all.
I did a lot of theater as a kid because I had a bunch of friends who did it.
I try to make a really good spy movie, so the animation has to be good. 'Bot Seeks Bot' was one of my lighter and more playful ones, so it can survive not being visually told as well. I did have some issues with the quality of the inking on some of the animation, but a lot of that will only ever bother me.
I had done some stuff on camera, then I did some film dubbing when I lived in Europe. When I came back, I'd considered doing on-camera work again, but I didn't really like it.
I had to take over the reins of the company at a time when I did not know a thing about the business. The producers who were committed to work with my father wanted to back out because they felt I would not be able to sell their film's music the way my father did.
I did theatre a lot when I was a kid. Then I went to acting school in New York. I did a lot of behind the scenes in college. I wanted to learn while I had the time. I studied theatre and film in different capacities.
I love hand-drawn animation, but I have to say I have fallen in love with CG animation. What you can do in terms of visuals is pretty stunning, and I think if I did go back and do a hand-drawn animation, I would want to make sure that, from a stylistic standpoint, it would be as beautiful as 'Hunchback of Notre Dame' at least!
When I was a kid I did impressions and funny voices a lot. When I was telling a story I would use the voices to make it more entertaining.
Danica Patrick, even if she was not super successful results-wise, did a lot for our sport and its visibility. That was an element that fans really did appreciate, and it brought some awareness and different eyes to out sport.
My father did not have a lot of security in his life. He did odd jobs. He had a real struggle to make money. He lost a lot of time in his 20s, after the war, because he was sent to a forced-labour camp in Siberia.
I did some writing. I was just taking the kids to school. I did a couple things and we did some tours. It was a lot of downtime.
I had a lot of friends, but none of them I felt super close with. Now that I'm older, I can look back on my teenage self and kind of see the things I did wrong and the things I did right, what affect they had on me, and what affect they had on other people. I can look at it in a much more conducive way to storytelling.
Jem’s eyes had widened, and then he’d laughed, a soft laugh. “Did you think I did not know you had a secret?” he’d said. “Did you think I walked into my friendship with you with my eyes shut? I did not know the nature of the burden you carried. But I knew there was a burden.” He’d stood up. “I knew you thought yourself poison to all those around you,” he’d added. “I knew you thought there to be some corruptive force about you that would break me. I meant to show you that I would not break, that love was not so fragile. Did I do that?
A man with a camera was always suspected of being a spy. Moreover, the Jews did not want to be photographed, due to a misunderstanding of the prohibition against making graven images (photography had not been invented when the Torah was written!). I was forced to use a hidden camera.
When I was a kid, I was told that I had a biological father, but that he didn't have much importance. I had an adoptive father who was present, who loved me, who was up to the task. And he was. So, I didn't question that story, until I was thirty-two, and suddenly realized that I was curious, that he did have something to do with me.
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