I'm attracted to working with comedians because they don't have that stars' idea of what a hero should be. The downside is they're always addressing the camera too much.
There is nothing worse than when actors come to a set - and it happens a lot with big stars - and they are too aware of where the camera is. They are the show. And that becomes apparent and it affects the production. I am like 'You should not know where the camera is - you should act, and I will do the rest.'
So I think rather than being attracted so much now to working with my heroes, I'm sort of more attracted to working with completely unlikely strangers because it's more exciting really.
I've always had the idea that multi-millionaire rock stars should work harder than anyone because they have the ability to do it. Look at an artist like Andy Warhol. He never stopped working, even after he didn't need to work again.
I don't miss working on camera as much as theatre. But I do love film and television because it's so immediate; you walk on to a set and the tables are dusty, and everything's as it should be.
I've hidden behind the camera my whole life because I much, much, much prefer shooting. Being behind the camera is my safe space, and it's my creative space, too.
I think the camera was always my obsession, the camera movements. Because for me it's the most important thing in the move, the camera, because without the camera, film is just a stage or television - nothing.
Dost thou know what a hero is? Why, a hero is as much as one should say, a hero.
Photography today is accomplishing a lofty mission in which every German should collaborate by buying a camera. The German people is ahead of every other in the technical domain and, thanks to its exceptional qualities, the small camera has conquered the whole world... Much is at stake here from the point of view of popular consumer goods and, furthermore, photography has a particularly important political role to play. (Addressing the Berlin Photography Fair, 1933)
There's this misconception that comedy and music go together. They don't. Comedians can't compete with rock stars; they're just not on the same level. Rock stars will always be cooler. They will always get more girls.
So, when I was about eight, I told my mother that I wanted to be a chef - and a police man, too. I didn't totally know that was it at the time, but I was very attracted to it from the beginning. I liked the idea of working with people in a kitchen, of dealing with ingredients, all of it.
Success doesn't have a downside for me. I'm busy, but I've always been busy whatever job I've had. My very first job working in a furniture factory was bloody busy! That's just modern life. It's not a downside, you just have to be organised and keep things in perspective.
I want to continue working in Mexico, but I'd also like to work in other countries eventually, too. Working behind the camera is interesting for me, too.
When I became a standup comic, my hero, one of them, was Richard Pryor, and you know, I think that comedians, like, comedians talk about hacks, and what a hack is, is someone who does stuff that's not original.
I'm always attracted to anti-hero roles.
Doors opened for me because of who I am. But the downside is, there is way way too much expectation from me, much more than there would have been if I were from outside the film industry.
You can't ever work too much because there's no such thing as being in too good condition. You can't ever lift too many weights because you can't ever get too strong. You can't ever wrestle too much because you can always do better.