A Quote by Michel Houellebecq
Life is painful and disappointing. It is useless, therefore, to write new realistic novels. We generally know where we stand in relation to reality and don’t care to know any more.
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I wrote my first two long novels and an anthology of short narratives, when I was a manager of my own jazz bar. There was not enough time to write and I didn't know how to write novels. Therefore, I made written collages of aphorisms and rags.
I like to know the places I write about. I feel like it helps me ground the novel. My novels are 'realistic novels,' but they can also be fantastical, so it's nice to have a setting that grounds them a little bit.
I know I'm on a small cable reality show. I'm realistic where I stand in the scheme of things.
All my novels are rooted in their time and in their place. The place of my novels is Israel, almost without exception. Almost without exception, my novels are rooted in Israel because that's the place I know well. And, that's my gutsy advice to any young writer: write only about what you know well. Don't write about that which you don't know.
Whatever else I know, I know that if you invest love and care in any individual you can help them to make a difference, to write their own life story.
Love is possible. Life is going to decide. Don't lose it, it's a treasure. It's going to be painful; it's going to be an adventure, a roller coaster. Life is a roller coaster and it gets worse when you get old. Contrary to what you think, that it gets better when you know more - no, the more you know the more painful it is. You've been hurt. You arrive with a million scars and your armor is not thick. The more you age, the more you're fragile. But do it anyway. Go for it. Otherwise it means death.
In terms of technology and science, tomorrow does know more than yesterday; but when it comes to emotions, living with uncertainty, terror, I'm not sure we know any more than Shakespeare did, or the Buddha. And the power of new things - the iPhone or Facebook - is so strong and intoxicating that we sometimes forget that none of them can fundamentally change our relation to ourselves and to what matters.
This is an important distinction, because most of the modern philosophies that deny that we can know reality, and ultimately truth, make the mistake of constructing epistemological systems to explain how we know reality without first acknowledging the fact that we do know reality. After they begin within the mind and find they can't construct a bridge to reality, they then declare that we can't know reality. It is like drawing a faulty road map before looking at the roads, then declaring that we can't know how to get from Chicago to New York!
I was born to stand out. I don't care whether or not people will find me attractive on screen. That's not why I became an actor. I know that more and more with each new role.
I like writing a lot more than I used to. I used to find it scary but now I've got used to it once it gets going. I used to find it hard to start. Fear of the blank page. The first thing you write down won't bear any relation to what's in your head and that's always disappointing.
At conventions, one of the standard questions I get is, 'Are you writing any new novels?' To which I used to respond, in my smart-[alec] fashion, 'No, I've decided to write only old novels.'
There is a big difference between a disappointing friend and a deadly enemy. Of course the Democrats are disappointing. That's what makes them Democrats. If they were any more frustrating they'd be your relatives. But in this country they are all that stands between you and darkest night. You know why their symbol is the letter 'D'? Because it's a grade that means good enough, but just barely. You know why the Republican symbol is 'R'? Because it's the noise a pirate makes when he robs you and feeds you to a shark.
We can't stand any more! We don't want any more of what we've had to put up with for eight years and many years prior. The country we know and love is being torn apart and rebuilt in ways that we don't want, and the Republican Party doesn't even seem to care about that.
I never thought I would write the way that I write for the studios now, which is like, not little novels, but be someone who literally is more like, you know, sometimes I guess we describe, we're more Salieri than Mozart.
I have no race prejudices, and I think I have no color prejudices or caste prejudices nor creed prejudices. Indeed I know it. I can stand any society. All that I care to know is that a man is a human being-that is enough for me; he can't be any worse.
The ability to name poetry's gestures and rhetorics isn't required to write or read them, any more than a painter needs to know the physics of color to bring forward a landscape. The eye and hand and ear know what they need to know. Some of us want to know more, because knowing pleases.
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