A Quote by Michel Ocelot
The film industry needs to find a way to bring audiences to movie theaters. It's more of a technical trick than a revolution.
Related Quotes
The difference between this film [Your highness] and Pineapple Express was pretty much in the logistics of the technical ambition of the movie, and the size and scope of the movie. Pineapple Express was a great success, and that was something that we wanted to capitalize on, but we wanted this movie to be bigger, more adventuresome, bring a bigger audience to the movie, and challenge ourselves to do something new.
I try to be straight when I communicate with my audiences through a film. I'm not sure whether I have been successful. I don't watch my film once they're in theaters.
Photographers learn to interpret photographs in that technical way because they want to understand and use that 'language' themselves just as musicians learn a more technical musical language than the layman needs. Social scientists who want to work with visual materials will have to learn to approach them in this more studious and time-consuming way.
I love festivals because I feel like I'm more of a movie fan than a person who's in the film industry.
It perhaps has a chance, a commercial chance, this film. It's funny, it's charming, the idea is original, it's unusual and it makes fun of the movie industry in a way that it needs to be poked fun at.
During the course of any normal day, I usually pay more attention to assembling a grocery list than I do to reading movie reviews, although there are a more than a few film critics who bring huge insight to their work.
A great horror film works as a communal experience more than almost anything else, except for maybe a comedy. That's something that I've experienced, just taking this movie around and watching it with audiences.
To me, a revolutionary film is not a film about a revolution. It has a lot more to do with the art form. It's a film that is revolting against the old established language of cinema that had been brainwashing the people for decades. It is a film that is trying to find ways to use sound and image differently.
I applied [to film school] figuring, "I need to find some structure for myself. I need to find a way to figure out what kind of filmmaker I want to be." And that is what film school provides you with. It'll teach you the basics of how a production works and the technical side of how to put everything together, but you could also learn that by working on film sets.
I think that as a director, especially when it comes to writing the script, which I also do, and I'm also the first one to visualize this story, I think contributing to the film industry means I'm able to take the best of a story and translate it well into a movie that can be released in theaters.
In the '50s, audiences accepted a level of artifice that the audiences in 1966 would chuckle at. And the audiences of 1978 would chuckle at what the audience of 1966 said was okay, too. The trick is to try to be way ahead of that curve, so they're not chuckling at your movies 20 years down the line.
There's a forgiveness that literary audiences will give you that film audiences don't give you. It's the two hour construct. You're in there and it needs to climax and finish.
I prefer the Telugu film industry, as women are respected more than they are in the Tamil film industry. In Tamil cinema, they care only about their hero, who is God.
I probably complained more when I was younger. The movie industry can be frustrating but I think sometimes I could have been more helpful, approaching a film as a partnership rather than being critical of a director's ignorance. I wasn't sensitive to the fact that it's very hard to direct.
With every film, I try and give the audiences a little more than the previous film in terms of comedy, action, drama and so on.
At 3-D Imax theaters, audiences have shown they are willing to pay a premium to wear headgear fitted with liquid-crystal lenses synchronized via infrared signals with the movie projector, which runs at twice the normal frame rate. These movie viewers plumb new depths in depth perception - they experience extreme realism.
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