A Quote by Michel Ocelot

I'm never really nervous because I've done the maximum; now it's up to the audience to do its job. — © Michel Ocelot
I'm never really nervous because I've done the maximum; now it's up to the audience to do its job.
I am still nervous every show. Not in the "Wow, I'm scared, I can't go on nervous," but the "I really want to do a good job and the give the audience a great show" kind of nervous. Oh, yes, the nerves are there, but I let them push me instead of holding me back.
I never really had a job, because I've been cycling from such a young age: there was never really a time to have a job. My mum went into Starbucks once and asked if they had a job for me, and they offered me one - but I never took it up because I couldn't fit the job in with school and cycling.
I'm not nervous coming back to my old audience. I'm looking forward to it. That's really what I do; that's my day job.
I personally enjoy theatre, but preferably I do films so that I can reach up to maximum audience. If you want to give a serious message, it will reach out to maximum people through films. But through theatre, you can hardly reach out to about 3,000 audience at a time.
As soon as a job finishes, I am done with it. When I'm really, really enjoying the job, I love the job, I want it to end because it's supposed to.
Yeah, but if I don't start my nervous pacing now, I'll never have it all done in time.
I really saw my mom advocate on my behalf and really say, 'Hey, you're good enough.' It was from her that I learned that just because something hasn't been done before, it doesn't mean it can't be done now. You have to speak up, and you've got to assert yourself because it takes somebody to be the first one to make it happen.
I've been very reluctant on the Twitter front. But I do Instagram now, so I'm slowly coming around. I'm quite a private person, so much of what I do for my job means that I have to be quite public so I'm just nervous about everything being public. I might turn around. Three years ago, I was against all social media but I actually really enjoy Instagram now. Who knows? I never say never!
On stage, I'm always nervous, but there is so much adrenalin, too. It's strange because I have to turn my back on the audience, and my audience is the orchestra. I communicate my energy to them, and they communicate it to the audience behind me!
I know that I am the kind of person that gets a little bit more nervous than other skaters, but that's because I care for my skating very much. I take all my emotions with me. I can't go out and say 'Now, this is just my job.' I really care.
Films for TV have to be much closer to the book, mainly because the objective with a TV movie that translates literature is to get the audience, after seeing this version, to pick up the book and read it themselves. My attitude is that TV can never really be any form of art, because it serves audience expectations.
When I read a script I respond to it like an audience member. At the end of the film, if I'm there in the audience's mind, I have done my job.
In anything really, it's finding the reality. You can't be 'real,' but you can create a reality. And that created reality is what the audience believes in. And that's essential. Because if the audience doesn't believe that, they're never going to trust you. And if they don't trust you, you can't lead them up the mountain.
Being a public company is really terrible for most companies. I'd say Facebook and Google have done a pretty good job of standing up to the incredible quarterly pressure to hit numbers, but most companies - and I've observed a lot now - don't do a very good job of that.
When I get nervous, I go to the library and hang around. The libraries are filled with people who are nervous. You can blend in with them there. You're bound to see someone more nervous than you are in a library. Sometimes the librarians themselves are more nervous than you are. I'll probably be a librarian for that reason. Then if I'm nervous on the job, it won't show. I'll just stamp books and look things up for people and run back and forth to the staff room sneaking smokes until I get hold of myself. A library is a great place to hid.
I come out before an audience and maybe my house burned down an hour ago, maybe my husband stayed out all night, but I stand there. ... I got them with me, right there in my hand and comfortable. That's my job, to make them comfortable, because if they wanted to be nervous they could have stayed home and added up their bills.
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