A Quote by Michel Patini
There would probably be less of a frenzy among the French public.
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When I was a child, I grew up speaking French, I mean, in a French public school. So my first contact with literature was in French, and that's the reason why I write in French.
Now I approach climbing differently. I have learned less effort and energy, less obsession, and more feeling, as with piano, more emphasis and less frenzy.
If an American, because his skin is dark, cannot eat lunch in a restaurant open to the public, if he cannot send his children to the best public school available, if he cannot vote for the public officials who represent him, if, in short, he cannot enjoy the full and free life which all of us want, then who among us would be content to have the color of his skin changed and stand in his place? Who among us would then be content with the counsels of patience and delay?
When people do bad things intentionally, they know they've done them. But it's not to be cared about. That's the problem with the tabloid press; they dramatize these things until there's a state of frenzy. People see frenzy and they go, "What?" Then they clamor toward the frenzy. We all do it. It's a primal, natural response.
I do think they [French] view my writing itself as exotic - though that's probably not the best term for it - to a small extent, mainly because I say things that most French writers would probably hesitate to say for fear of offending someone or upsetting public sensibilities. I don't think that answers the question, but I'm not much good at figuring readers out or I would probably be writing bestsellers.
Most writers - poets in especial - prefer having it understood that they compose by a species of fine frenzy - an ecstatic intuition - and would positively shudder at letting the public take a peep behind the scenes.
The French fried potato has become an inescapable horror in almost every public eating place in the country. 'French fries', say the menus, but they are not French fries any longer. They are a furry-textured substance with the taste of plastic wood.
I don't like people who speak French in public places. This includes the French.
The belief that public health measures are not intended for people like us is widely held by many people like me. Public health, we assume, is for people with less - less education, less-healthy habits, less access to quality health care, less time and money.
A romantic or classical view of the French approach would have been to say, 'It's a French company; let no one attack it. Let's block any merger. But the reality is Alcatel-Lucent is not a French company; it's a global company. Its main markets are China and the U.S. Its ownership is foreign; most of its managers aren't French.
French novels generally treat of the relations of women to the world and to lovers, after marriage; consequently there is a great deal in French novels about adultery, about improper relations between the sexes, about many things which the English public would not allow.
But Margaret went less abroad, among machinery and men; saw less of power in its public effect, and, as it happened, she was thrown with one or two of those who, in all measures affecting masses of people, must be acute sufferers for the good of many. The question always is, has everything been done to make the sufferings of these exceptions as small as possible?
When I was in high school, I took French. I barely passed and didn't learn anything at all. There was a joke among me and my friends in the class that nothing sounded more ridiculous than a guy with a country accent speaking French.
People were interesting at first. Then later, slowly but surely, all the flaws and madness would manifest themselves. I would become less and less to them; they would mean less and less to me.
I would advocate that chocolate be covered by health insurance, but that is admittedly a very French public policy perspective.
Architects and engineers are among the most fortunate of men since they build their own monuments with public consent, public approval and often public money.
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