A Quote by Michelangelo

An artist must have his measuring tools not in the hand, but in the eye. — © Michelangelo
An artist must have his measuring tools not in the hand, but in the eye.
Maybe because it's entirely an artist's eye, patience and skill that makes an image and not his tools.
The painting is always conceived as the linear record of a rhythmic gesture: it is a graph of a dance executed by the hand. Not only the artist's eye and hand perform this dance, so does the eye of the beholder.
The painter who strives to represent reality must transcend his own perception. He must ignore or override the very mechanismsin his mInd that create objects out of images(symbols)... The artist, like the eye, must provide true images and the clues of distance to tell his magic lies.
The critic, to interpret his artist, even to understand his artist, must be able to get into the mind of his artist; he must feel and comprehend the vast pressure of the creative passion.
The artist must train not only his eye but also his soul.
The big artist keeps an eye on nature and steals her tools.
The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artistic creation.
The big artist .. . keeps a sharp eye on Nature and steals her tools.
I am an artist, and, through my eye, must confess to a tremendous bias. In my purely literary voyages my eye is always my compass.
The beauty of the person of Christ, as represented in the Scripture, consists in things invisible unto the eyes of flesh. They are such as no hand of man can represent or shadow. It is the eye of faith alone that can see this King in his beauty. What else can contemplate on the untreated glories of his divine nature? Can the hand of man represent the union of his natures in the same person, wherein he is peculiarly amiable? What eye can discern the mutual communications of the properties of his different natures in the same person?
When you are an artist you can turn your hand to anything, in any style. Once you have the tools then all the artforms are the same in the end.
I feel ever so strongly that an artist must be nourished by his passions and his despairs. These things alter an artist whether for the good or the better or the worse. It must alter him. The feelings of desperation and unhappiness are more useful to an artist than the feeling of contentment, because desperation and unhappiness stretch your whole sensibility.
The contemporary artist...is not bound to a fully conceived, previsioned end. His mind is kept alert to in-process discovery and a working rapport is established between the artist and his creation. While it may be true, as Nathan Lyons stated, 'The eye and the camera see more than the mind knows,' is it not also conceivable that the mind knows more than the eye and the camera can see?
In a painting, you can't make out whether the artist painted the left eye before the right eye. In Chinese calligraphy, you can see the progression of the artist's stroke.
God is everywhere present by His power. He rolls the orbs of heaven with His hand; He fixes the earth with His foot; He guides all creatures with His eye, and refreshes them with His influence; He makes the powers of hell to shake with His terrors, and binds the devils with His word.
Hand Grasps at hand, eye lights eye in good friendship, And great hearts expand And grow one in the sense of this world's life.
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