A Quote by Michelangelo
The sculpture is already complete within the marble block, before I start my work. It is already there, I just have to chisel away the superfluous material.
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Alexandros of Antioch took a block of marble and chiseled away from it everything that was not his masterpiece, the Venus de Milo. If you will chisel away one fault from your character every day, you may discover - a) that you're actually a statue of Margaret Thatcher. b) that you're still just a block of marble. c) that there are pigeon droppings on your shoes. d) that you, too, are a hidden masterpiece.
A statue lies hid in a block of marble, and the art of the statuary only clears away the superfluous matter and removes the rubbish. The figure is in the stone; the sculptor only finds it. What sculpture is to a block of marble, education is to a human soul. The philosopher, the saint, or the hero,--the wise, the good, or the great man,--very often lies hid and concealed in a plebeian, which a proper education might have disinterred, and have brought to light.
The block of marble is not the sculptor, and doesn't see that he's about to become a masterpiece... We're the block of marble and God is the sculptor, and the chisel is.... everything.
The statue lies hid in a block of marble; and the art of the statuary only clears away the superfluous matter, and removes the rubbish.
Before I started working on a computer, writing a piece would be like making something up every day, taking the material and never quite knowing where you were going to go next with the material. With a computer it was less like painting and more like sculpture, where you start with a block of something and then start shaping it.
The work of art is already within the block of marble. I just chop off whatever isn't needed.
What sculpture is to a block of marble, education is to the soul.
What sculpture is to a block of marble, education is to the human soul.
Life comes before literature, as the material always comes before the work. The hills are full of marble before the world blooms with statues.
We are each given a block of marble when we begin a lifetime, and the tools to shape it into sculpture. We can drag it behind us untouched, we can pound it to gravel, we can shape it into glory. Examples from every other life are left for us to see, lifeworks finished and unfinished, guiding and warning. Near the end our sculpture is nearly finished, and we can smooth and polish what we started years before. We can make our progress then, but to do it we must see past the appearances of age.
We are each given a block of marble when we begin a lifetime, and the tools to shape it into sculpture... We can drag it behind us untouched, we can pound it into gravel, we can shape it into glory.
Driving a steamroller over an old trumpet or a teaspoon is no more destructive than taking a chisel to a lump of marble already torn from the landscape. But people don't see it that way because marble is considered noble.
I've had to cut my mom out of a movie before - it's ruthless, editing. But it's also so necessary; because once you start taking away, it's like sculpture, you can really start feeling the shape of the whole.
Guido the plumber and Michelangelo obtained their marble from the same quarry, but what each saw in the marble made the difference between a nobleman's sink and a brilliant sculpture.
...Though we chisel away as best we can at the mysterious block from which our life is made, the black vein of destiny continually reappears.
In creation myths, a god shapes mud or clay into living form, much like a potter throws a pot or a sculptor reveals the statue within a block of marble. But a writer has to create his own clay or stone before he can begin shaping life from it.
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