A good sculpture can be rolled downhill without breaking.
As I came down the Highgate Hill, The Highgate Hill, the Highgate Hill, As I came down the Highgate Hill, I met the sun's bravado, And saw below me, fold on fold, Grey to pearl and pearl to gold, This London like a land of old, The land of Eldorado.
Now scarcely a week goes by without a news story about the cops swooping down on some adolescent prowler who is as skilled at breaking into computer systems as defense contractors are at breaking into the Federal budget.
Everything is sculpture. Any material, any idea without hindrance born into space, I consider sculpture.
I don't want to make plop art — sculpture that just gets plopped down in places. I wouldn't want to litter every corner of the world with my sculpture.
I really don't have a theme when I start a sculpture. The rock guides me to the final sculpture. I think that is true for many creative sculpture artists.
First of all I think of puppets as sculpture. They are sculpture that moves. You could label it any way you want, but for me it always starts in my mind as a sculpture.
Every day of the year where the water is 76, day and night, and the waves roll high, I take my sled, without runners, and coast down the face of the big waves that roll in at Waikiki.
It was a harder day's journey than yesterday's, for there were long and weary hills to climb; and in journeys, as in life, it is a great deal easier to go down hill than up. However, they kept on, with unabated perseverance, and the hill has not yet lifted its face to heaven that perseverance will not gain the summit of at last.
The line between inner and outer landscapes is breaking down. Earthquakes can result from seismic upheavals within the human mind. The whole random universe of the industrial age is breaking down into cryptic fragments.
I have seen the dark universe yawning Where the black planets roll without aim, Where they roll in their horror unheeded, Without knowledge, or lustre, or name.
In Giacometti's work, the armature has once again become the life-line of the sculpture, and also, he's brought back to sculpture a nervous sensitivity which the 'pure carving' side of sculpture can lose sight of altogether.
The great thing with comedy is that I don't memorize ahead of time like I did on 'Breaking Bad.' With 'Breaking Bad,' I wanted to know those words inside and out, really have my lines down so I could say them verbatim. But with comedy, you keep it a lot more loose.
When they see you on the street, I was at the bottom of Highgate West Hill the other day and the police came down the hill with blue lights and screeched to a halt and went, 'Oi, 'Line Of Duty!'
I cannot read a fortune cookie without breaking down and crying. I am sensitive.
The system might be breaking down but something else is breaking through.