A Quote by Michelangelo

The marble not yet carved can hold the form of every thought the greatest artist has. — © Michelangelo
The marble not yet carved can hold the form of every thought the greatest artist has.
Every thought which enters the mind, every word we utter, every deed we perform, makes its impression upon the inmost fiber of our being and the result of these impressions is our character. The study of books, of music, or of the fine arts is not essential to a lofty character. It rests with the worker whether a rude piece of marble shall be squared into a horse-block or carved into an Apollo, a Psyche, or a Venus di Milo. It is yours, if you choose, to develop a spiritual form more beautiful than any of these, instinct with immortal life, refulgent with all the glory of character.
Your work is carved out of agony as a statue is carved out of marble.
Let me just say that, if you ever have the choice of putting your words in powerpoint or having them carved into 30-foot high marble, I'd say go for the marble.
Master Michelangelo once said that 'I saw the angel in the marble and carved until I set him free.' This is what we must do when we see an ignorant man: To set him free from the black marble we call ignorance!
I saw the angel in the marble and carved until I set him free.
The greatest artist has no conception which a single block of white marble does not potentially contain within its mass, but only a hand obedient to the mind can penetrate to this image.
The best artist has that thought alone Which is contained within the marble shell; The sculptor's hand can only break the spell To free the figures slumbering in the stone.
Man is a marble piece; unlike Michelangelo's masterpieces, man is unconsciously carved and imperfectly shaped by the nature
You can hold a secret, hold it so far in that it drives nearly every thought and every move you make- your very heartbeat, almost.
The sculptor who deals with form seeks to imprison beauty in a marble statue that will withstand the ravages of time during millenniums; but a marble statue is cold and speaks to but a few of the most evolved who are able to infuse the statue with their own life.
The thing I like most in my kitchen is my marble counters. Everybody said not to use marble because it's fragile, it stains, it cracks, and it doesn't remain beautiful. But I love marble.
The stuff of thought is the seed of the artist. Dreams form the bristles of the artist's brush. As the eye functions as the brain's sentry, I communicate my innermost perceptions through the art, my worldview.
not wholly consciously, but not quite unconsciously, as far as I can remember, I determined to fashion my future as a sculptor his marble, and there was in it the same mixture of foresight and the unknown. The thing in the mind of the artist takes its way and imposes its form as it wakens under his hand. And so with life.
'Wayne of Gotham' is very much a father-and-son exploration. We've always seen Thomas Wayne through the years as this figure carved in marble; this perfect man. The only thing we really know about is that he died in that alley outside of a theater. But every son has to confront the reality of his father at some point in his life.
Every piece of marble has a statue in it waiting to be released by a person of sufficient skill to chip away the unnecessary parts. Just as the sculptor is to the marble, so is education to the soul. It releases it. For only educated people are free people. You cannot create a statue by smashing the marble with a hammer, and you cannot by the force of arms release the spirit or the soul of people.
Really,' thought I, 'we call Baltimore the 'Monumental City' for its two marble columns, and here is Edinburg with one at every street-corner!
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