A Quote by Michele Cassou

If you listen inside, the brush will want to run toward a color. What you really need and want is very close, and the brush goes to it quickly if you don't think. — © Michele Cassou
If you listen inside, the brush will want to run toward a color. What you really need and want is very close, and the brush goes to it quickly if you don't think.
My hair is always the same. It's wavy, so I brush it with a round brush. I'm a brush fanatic. I hoard brushes. I love getting my hair brushed. I will ask my friends to brush my hair for me.
With a brush you have control. The paint goes on the brush and you make the mark. From experience you know exactly what will happen. With the squeegee you lose control.
Water conservation goes hand in hand with education. Teaching people that if you literally run the water while you brush your teeth - we go through 602 million gallons a day of waste in the United States because people are used to hearing the water run while they brush their teeth.
George Bush and I share a love of steel brush cutters. It turns out we use the same professional brush cutter. He asked me what I did. I said I cut brush. He says, 'Oh, what do you use?' I said steel. He goes, 'Oh, me too.'
When you put on foundation with a brush, it's a heavy finish - but if you use a brush and then blend, it looks more like a moisturizer and much prettier. Then add concealer - applied with a fine brush - to the problem areas afterward.
Winning isn't everything to me, but it's a close second. Losing isn't something that I can just brush off and fake a smile to hide my frustration. It's that will and determination that I hope will get me where I want to go.
I use a little brush only for really small details. Over the years, I've started to use a much larger brush.
Having a great golf swing helps under pressure, but golf is a game about scoring. It's like an artist who can get a two-inch brush at Wal-Mart for 20 cents or a fine camel-hair brush from an art store for 20 dollars. The brush doesn't matter - how the finished painting looks is what matters.
You must first realize the thing completely in your mind. Then grasp the brush, fix your attention so that you see clearly what you wish to paint; start quickly, move the brush, follow straight what you see before you, as the buzzard swoops down when the hare jumps out. If you hesitate one moment, it is gone.
The Chinese use two brush strokes to write the word "crisis." One brush stroke stands for danger; the other for opportunity.
In the '70s, anybody who was a connoisseur of collecting vinyl had the velvet brush. Remember the velvet brush? It would clean the record, and you would only grab the record from the sides and you would carefully slide it into the jacket. I never had a velvet brush.
The brush is a more powerful and rapid tool than the point or the stump... the main thing that the brush secures is the instant grasp of the grand construction of a figure.
I regard photography and film simply as new technical means which painters must absolutely make use of, just as from time out of mind they have made use of brush, charcoal and color. It is certain, however, that photography and film must become as evocative for the sensibility as pencil, charcoal and brush. (1927)
With the first kid, you micromanage it, making sure there's no hair out of place when it goes off to school. But by the third kid, it's more like, "Oh, you want to wear a splatter-painted, Hard Rock Café T-shirt for seven days in a row and not brush your hair? Go for it. Be who you want to be."
I think with the '70s style, you can do a bigger curling iron, so you get those long swirls. If you want it natural-natural, you can also just brush your hair out and tease that. So, it varies on what kind of thing you want to do, but it's nice to have a couple more hands in there to help me or else it takes really long.
I brush it, brush it after every practice and stuff, just because it gets tangled. It's just all natural, let it grow, let it be, let it be real.
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