A Quote by Michele Cassou

When a seed sprouts, it's a violent process. The skin breaks and splits in two. Something dies and something is born. Anytime you paint a strong or violent image, you may be expressing that part of yourself that's opening in order to let the new emerge.
And the distinction between violent and non-violent action is that the former is exclusively bent upon the destruction of the old, and the latter is chiefly concerned with the establishment of something new.
I'm not a big fan of violent movies, it's not something I like to watch. And it's not my aim or goal to make a violent movie. My characters are very important, so when I'm trying to depict a certain character in my movie, if my character is violent, it will be expressed that way in the film. You cannot really deny what a character is about. To repeat, my movie end up becoming violent, but I don't start with the intent of making violent movies.
I'm from a very violent city. I'm from New Orleans, Louisiana, and it's good to see me be able to express my art, have a good opportunity for my life, make history and say something, without being violent.
When you call yourself an Indian or a Muslim or a Christian or a European or anything else, you are being violent. Do you see why it is violent? Because you are separating yourself from the rest of mankind. When you separate yourself by belief, by nationality, by tradition, it breeds violence.
What if a kid goes to school after seeing Kill Bill and starts slicing up other kids? You know, I'll take that chance! Violent films don't turn children into violent people. They may turn them into violent filmmakers but that's another matter altogether.
Football is a violent, violent sport, and you have to practice that way in order to get at elite levels on Saturday, in my opinion.
There is a report that says that kids who watch violent TV programs tend to be more violent when they grow up. But did the TV cause the violence, or do violent children preferentially enjoy watching violent programs?
'American Psycho' is violent. 'Apocalypse Now' is violent. 'Officer Downe' is a comic and not violent to me.
Not all Muslims are violent, not all Catholics are violent. It is like a fruit salad; there's everything. There are violent persons of this religion.
Love is also a very violent thing. Totally violent. Suddenly, you are, like, at this party your friends invite you to, and you meet this person, and your life is turned upside down, and the next day you can't stop thinking about them. That's violent. Hopefully, it's for the better, but it's a violent thing.
I was raised in Washington, DC, very violent place. I grew up with violence. My introduction to music was violent. The years I've spent on tours, some of that was extremely violent.
If you look at 1983, the film of the year was 'Terms of Endearment.' 'Scarface' was lumped in under the gratuitously violent banner. I mean, we knew it was violent, that it depicted a violent time and place. But it wasn't the end-all of the thing.
My painting is not violent, it's life that is violent. Even within the most beautiful landscape, in the trees, under the leaves, the insects are eating each other; violence is a part of life. We are born with a scream; we come into life with a scream and maybe love is a mosquito net between the fear of living and the fear of death.
States are violent institutions. The government of any country, including ours, represents some sort of domestic power structure, and it's usually violent. States are violent to the extent that they're powerful, that's roughly accurate.
He that dies before sixty, of a cold or consumption, dies, in reality, by a violent death.
After I did 'Brooklyn,' I did about five or six violent films in one way or another, and not always with me being the bad guy, but something violent about it to keep the street cred up, really.
This site uses cookies to ensure you get the best experience. More info...
Got it!