A Quote by Micheline Aharonian Marcom

Every book I've written has been different from the others, and each one seems to have its own timeline, requirements, and formal challenges. — © Micheline Aharonian Marcom
Every book I've written has been different from the others, and each one seems to have its own timeline, requirements, and formal challenges.
I think that every country presents its own particular challenges, different cultures, different histories, different religions, different people. And different ethnic make-ups in those countries present different challenges.
There's nothing sacred about the book you've written. The Bible says there's safety in a multitude of counselors. The movie is the movie, and the book is the book. They're different critters, and each must stand on their own merits.
Each book tends to have its own identity rather than the author's. It speaks from itself rather than you. Each book is unlike the others because you are not bringing the same voice to every book. I think that keeps you alive as a writer.
Every book I've written has been a different attempt to understand something, and the success or failure of the previous one is irrelevant. I write the book I want.
There is an inherent dissonancebetween the quasi-formal world of computer programs - defining the programmed machine in each system - and the non-formal problem world of the system requirements.
My books have been part of my life forever. They have been good soldiers, boon companions. Every book has survived numerous purges over the years; each book has repeatedly been called onto the carpet and asked to explain itself. I own no book that has not fought the good fight, taken on all comers, and earned the right to remain. If a book is there, it is there for a reason.
The tone of every book is slightly different; there's a music that each has that is distinct from all the others.
Every kind of book I've written has been written in a different way. There has not been any set time for writing, any set way, I haven't re-invented the process every time but I almost have.
Each book has been different and has been challenging in its own way to write.
Now, to describe the process of the Wrapped Reichstag, which went from 1971 to '95, there is an entire book about that, because each one of our projects has its own book. The book is not an art book, meaning it's not written by an art historian.
The only freedom which deserves the name is that of pursuing our own good in our own way, so long as we do not attempt to deprive others of theirs, or impede their efforts to obtain it. Each is the proper guardian of his own health, whether bodily, or mental or spiritual. Mankind are greater gainers by suffering each other to live as seems good to themselves, than by compelling each to live as seems good to the rest.
Truly, the challenges we face are not Democratic challenges or Republican challenges. In fact, they are not political challenges at all; they are fiscal challenges, and educational challenges, and the challenges of figuring out how to take care of each other.
Truly, the challenges we face are not Democratic challenges or Republican challenges. In fact, they are not political challenges at all; they are fiscal challenges, and educational challenges, and the challenges of figuring out how to take care of each other...
For every different role you play it's nice to have different challenges for each one.
The Gospel itself is angular. It always has been. It always conflicts. It always challenges every generation. It challenges different generations in different ways.
Each poem seems to demand its own formal approach. In both drafting and revision, I'll play around with line lengths and stanza formations, eventually letting the poem settle into what I think is its own best form.
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