A Quote by Michelle Borth

Acting in TV as opposed to films is really difficult. What a film gets two months to do, we get eight days to do. — © Michelle Borth
Acting in TV as opposed to films is really difficult. What a film gets two months to do, we get eight days to do.
Each form of the acting is different. I think it keeps your mind active. TV, film and theater are different disciplines, as are independent films, opposed to studio films. There are differences in the size and the genre, or a period drama as opposed to a contemporary drama, or the types of characters.
I wanted to stay on TV because I've got kids who are school-aged, so I get to see them most days as opposed to going away for movies months and months at a time.
Acting in two films would mean four months of the year, which would leave eight months for me, and if Bollywood needs that time from me, I am ready to give it a shot.
Studio films are really fun. You have months and months to shoot. With the smaller films you get to be on a much more intimate set and have to get things done quickly.
On certain days, it can get difficult, because acting is about being naked emotionally. There are days when you are feeling empty, but the scene demands you to go through a cathartic experience. That's why I like to know what my schedule for a particular film is beforehand.
I've taken off two months, three months at a time, and, by the end, I get really squirrelly. My night life, my dream life, gets extremely populated and crazed.
Filming movies and TV are vastly different. Film is more of slower pace. You usually have more time to develop characters, and it sometimes takes up to 3 months to film one movie. Sometimes you'll spend half the day filming one scene. TV moves much faster. It takes about 10 days to film an episode.
Our grandparents' generation prefers to watch film on TV rather than going to the theatre because of the simple reason that they are really old. Watching a film for, say, two hours at a stretch is difficult for them.
In TV films, it's nice to get out of town for six weeks or two months, whatever it is, do your thing, and you're out, ready for the next assignment.
In TV, you're basically shooting an episode in 10 to 14 days; 14 days is a luxury situation. And in film, you have anywhere from a month to three months, or it can be even longer than that, depending on what the production is.
I juggle so many hats that it takes something really special to convince me to get back to acting in films or TV serials.
Tisch has a great film program and a great acting program, but they are segregated; you don't really intertwine. My peers knew I liked acting, so they'd be like, 'Go get that guy Gubler. He'll be in your student film.' I was in the same building. I became their go-to guy. So I left NYU having been in probably one thousand short films.
The big difference I think between tv and stage is definitely the immediate buzz that you get. And that's not just as an actor, as an audience member you're getting the chance to have this kind of two-way process where the actors and the audience are experiencing the same thing. With tv you often have to wait months and months down the line to actually get the pay-off. Whereas with theatre it's a very immediate thing.
Maybe if I'd gone in younger, I wouldn't have had that feeling, but I've seen an enormous amount of changes since the early-'70s in how this stuff is shot. I did the first TV movie ever shot in 18 days; before this film the normal length of shooting a TV movie was between 21 and 26 days. We shot a full-up, two-hour TV movie in 18 days with Donald Sutherland playing the lead, who had never worked on television before.
Of course, there's always one theater that shows some kind of European film. Now, fortunately, you have DVDs, so it's possible to get anything you want within a few hours. In those days, it was virtually impossible to get Italian films, or German films, or whatever. So I grew up with very standard, mainstream films.
Television has been really good to me in terms of the roles I've been able to get on TV as opposed to the roles I've gotten in film and in theater.
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