A Quote by Michelle Carter

You have 15-20 years of work for that one throw, that one moment. And I was like, 'Okay, Lord, this is it - you told me I had the victory. So this is the time to show me'. And I'm going to give it all I have because this is my last throw in the Olympics.
There was a point where if you had told me I was going to be a national morning anchor, I would probably have been terrified. But now, I feel prepared. I've been in the business for almost 20 years now. I'm almost forty years old and I've been doing this for a long time, so I felt like, "Okay, I'm ready to do this."
When I stepped into the box, I felt the at-bat belonged to me. Everybody else was there for my convenience. The pitcher was there to throw me a ball to hit. The catcher was there to throw it back to him if he didn't give me what I wanted the first time. And the umpire was lucky that he was close enough to watch.
I'm the one who has to have everybody throw rocks at me all the time, so at least if they're going to throw rocks at me, they're going to throw rocks at me for something I love rather than something I think is not very good, or at least something I think is not finished.
I cherish my clothes and I remember what seasons they're from. But someone said to me as I was having trouble with styling a dress that I had bought, and he said to me: "Throw it on the floor." And I was like, "What? It's like a gown." He goes, "Throw it on the floor," and I did, and he's like that's how you need to wear everything. You wear clothes like you throw them on the floor.
It is obvious when an actor has put work into prep and research and understanding their character, and they're making choices, because that's what happens when you take the time - or have the time - to really think about the material, but that only accounts for about 60% of what happens on the day. When you're in the moment, you throw it all away. Well, you don't throw it all away, but it's in you now, and everything is reactionary in that moment and you have to be honest and present and listening.
It was a good 15 or 20 years before anyone at Rand would be in the same room with me. They didn't want the question raised, 'What's your relationship with Daniel Ellsberg?' And not one of them wrote me a letter because they didn't want a letter of theirs to show up in my trash - which the FBI had been going through.
The last time I visited Qaddafi was in May of 2001, 15 years after Reagan attacked his rather modest residence where he took me to show me how it had been left.
Okay, everyone please be completely quiet, because I can literally hear a whisper, and it’ll throw off my stream of consciousness, and when I get my stream of consciousness going that’s when I give the best, illest quotes. Literally, a whisper can throw it off.
When I left the house of bondage I left everything behind. I wasn't going to keep nothing of Egypt on me, an' so I went to the Lord an' asked him to give me a new name. And he gave me Sojourner because I was to travel up and down the land showing the people their sins and bein' a sign unto them. I told the Lord I wanted two names 'cause everybody else had two, and the Lord gave me Truth, because I was to declare the truth to the people.
There's people that say “It's not fair You have all that stuff.” I wasn't born with it. It was a horrible process to get to this. It took me my whole life. If you're new at this- and by “new at it.” I mean 15 years in, or even 20- you're just starting to grow traction. Young musicians believe they should be able to throw a band together and be famous, and anything that's in their way is unfair and evil. What are you, in your 20s, you picked up a guitar? Give it a minute.
Think about what happens on Earth when you throw up. You throw up and you have a bag of something horrible and then you throw it away, but if I have this bag, what am I going to do with it? This bag is going to stay with me in space for months, so we want a really good barf bag.
Aren’t you going to say, I told you so?” Hadrian whispered. “What would be the point in that?” “Oh, so you’re saying that you’re going to hang on to this and throw it at me at some future, more personally beneficial moment?” “I don’t see the point in wasting it now, do you?
I can throw a great party, but I don't know how to go to one. I can throw a party because when you throw a party you just work all the time. But I could never go to a party because I wouldn't know what to do ... I'd immediately find the kitchen and start to serve food.
If I wrote at all, I must throw myself headlong into the great political maelstrom, and would of course be swallowed up like a fishing-boat in the great Norway horror which decorated our school geographies; for no woman had ever done such a thing, and I could never again hold up my head under the burden of shame and disgrace which would be heaped upon me. But what matter? I had no children to dishonor; all save one who had ever loved me were dead, and she no longer needed me, and if the Lord wanted some one to throw into that gulf, no one could be better spared than I.
It's better to throw a theoretically poorer pitch whole-heartedly, than to throw the so-called right pitch with feeling of doubt-doubt that's it's right, or doubt that you can make it behave well at that moment. You've got to feel sure you're doing the right thing-sure that you want to throw the pitch you're going to throw.
Although I didn't think so at the time, things were a lot simpler in 1969. All you had to do to express yourself was throw rocks at riot police. But with today's sophistication, who's in a position to throw rocks? Who's going to brave what tear gas? C'mon, that's the way it is. Everything is rigged, tied into that massive capital web, and beyond this web there's another web. Nobody's going anywhere. You throw a rock and it'll come right back at you.
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