A Quote by Michelle Dean

Novelists do not swing on the same pendulums as critics. — © Michelle Dean
Novelists do not swing on the same pendulums as critics.
I fear that, as conditions worsen, many will react to the failures of too much government by calling for even more government. Then there will be more and more lifeboats launched because fewer and fewer citizens know how to swim. Unlike some pendulums, political pendulums to not swing back automatically; they must be pushed. History is full of instances when people have waited in vain for pendulums to swing back.
Political pendulums swing hard and feed on stark contrast.
If you have pendulum clocks on the wall and start them all at different times, after a while the pendulums will all swing in synchronicity. The same thing happens with heart cells in a Petri dish: They start beating in rhythm even when they're not touching one another.
I think that gravity sets into everything, including careers, but pendulums do swing and mountains do become valleys after a while... if you keep on walking.
Swing your swing. Not some idea of a swing. Not a swing you saw on TV. Not that swing you wish you had. No, swing your swing. Capable of greatness. Prized only by you. Perfect in it's imperfection. Swing your swing. I know, I did.
I've always swung the same way. The difference is when I swing and miss, people say, 'He's swinging for the fences.' But when I swing and make contact people say, 'That's a nice swing.' But there's no difference, it's the same swing.
Critics kind never mind! Critics flatter no matter! Critics blame all the same! Do your best damn the rest!
My swing is no uglier than Arnold Palmer's, and it's the same ugly swing every time.
Immortality is a by-product of good work. Masterpieces are not for artists, they're for critics. Critics can't even make music by rubbing their back legs together. My message to the world is 'Let's swing, sing, shout, make noise! Let's not mimic death before our time comes! Let's be wet and noisy!'
The British and American literary worlds operate in an odd kind of symbiosis: our critics think our contemporary novelists are not the stuff of greatness whereas certain contemporary Americans indubitably are. Their critics often advance the exact opposite: British fiction is cool, American naff.
When critics love your film, you love critics. When they hate your film, you hate critics. It's the same everywhere, but maybe especially in France, where we have pretty good critics, except for three or four newspapers that are really dogmatic.
You can watch videos and hit off the tee, stuff like that, but at the same time, it's you against the pitcher. I just need one swing or one pitch to click, and you can find your swing.
I read reviews of critics I respect and feel I can learn something from. Right now there are a lot of bottom-feeder critics who just have access to a computer and don't necessarily have an academic or cinema background that I can detect, so I tend to ignore that and stay with the same top-tier critics that I've come to respect. I like reading a good review - it doesn't have to be favorable, but a well-thought-out one - because I very much appreciate the relationship of directors and critics.
'Swing' is an adjective or a verb, not a noun. All jazz musicians should swing. There is no such thing as a 'swing band' in music.
I'm not afraid to swing the bat. If they elect to pitch to me, I'm going to swing. I'm not as picky as Mr. Sheffield. I'll swing at something over my head.
Great novelists are philosopher novelists - that is, the contrary of thesis-writers.
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