A Quote by Michelle Dean

For a long time now, movie characters have generally been articulate, even chatty. Call it the influence of Woody Allen, but we have become used to characters who are well able to explain themselves to others.
I'm a writer and director, and the movie I've seen a million times is 'Stardust Memories' by Woody Allen, starring Woody Allen and Charlotte Rampling.
What if Woody Allen called me and said, I'm working on this movie and there's a really divine role for you. We want exactly you! It would be such a fantasy. Forget it! My idol, Woody Allen!
I think Woody Allen is Woody Allen, and no matter where he goes he still makes his Woody Allen films.
I have always liked kind of outsider characters. In the movies I grew up liking, you had more complicated characters. I don't mean that in a way that makes us better or anything. I just seem to like characters who don't really fit into. You always hear that from the studio: "You have to be able to root for them, they have to be likeable, and the audience has to be able to see themselves in the characters." I feel that's not necessarily true. As long as the character has some type of goal or outlook on the world, or perspective, you can follow that story.
There are some characters in 'The Names' who are very much heroes and others who can only be called villains. But generally, as we get to know them, we see most of the characters are, or at least become, quite nuanced.
Woody Allen, that was a dream come true, although I never really talked to him. Auditioning was fun, because you don't really hear much about the script. They just said, "They want a Woody Allen type," so of course I got the call.
It was kind of scary because working with Woody Allen becomes sort of a big deal in your mind. He directs in that Woody Allen character some of the time - he has these idiosyncrasies that are really charming and funny.
I now can be sure that, once I start writing a book, I'll be able to finish it. I've also become more assured about my 'voice' as a writer and being able to keep the characters true to themselves.
All of the actors that have served to me as inspiration over the years have been those more associated with dramatic work who have, in turn, been able to embody their characters and lose themselves in those characters that they create.
Woody Allen is kind of the one example I don't have. Because the way he works and the amount of shooting time that I did on that film, I didn't really get to know him, so he kind of stays as "Woody Allen" to me.
On the stage, the characters express themselves more through words than images. So the arguments of the characters and the tension between characters - words have to be used to express that, and I love that about theater.
You never in a million years thought that you would ever end up in a Woody Allen film even though that might be your dream, and there you are. Suddenly you've got one. But you're not playing the quintessential Woody Allen heroine, which is somebody that's full of self-doubt and heartbreakingly naïve. Chloe in Match Point was a nightmare in some ways and totally entitled, and felt like everything was going to be all right. Most of the women in Woody Allen films feel like everything's awful. I didn't understand what to do. But some of the confusion is helpful.
When I worked with Woody Allen, I only got the parts of the script that I was in. I was able to piece together the narrative from that, but I remember being quite excited to watch the movie - the movie that I was in but didn't know what happened in, like, 65 percent of.
I'm a big fan of Woody Allen. I used to love the fact that he wrote his own screenplay and acted in the movie.
The reader has information about the characters that the characters themselves don't have. We all have our secret sides. Even I come to understand things about the characters only through the writing process, as I am going along.
Men should be able to see themselves in female characters and female strength, just as much as women are able to see themselves in male characters.
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