A Quote by Michelle Dean

Prestige podcasts, like prestige television shows, tend to have an audience that believes itself literate, well-informed, and reasonable. Listening to podcasts, in this model, is a form of virtue.
For a long time, it seemed as if podcasting was a male realm, but no longer. Sure, there are lots of men doing podcasts, but women are voicing a lot of the form's biggest hits. 'Serial,' the podcast that made podcasts a phenomenon, was narrated by a woman.
Yeah, I feel like every year there's some collective thought that podcasts just keep evolving and that podcasts are still just like the weird wild west of media.
I love podcasts! I wish I had my own, although I think there are already too many podcasts, so I don't know how I would create a new one.
I find the world of podcasts very interesting because it truly puts the audience's visualisation into action. Each and every person listening to it can create their own stories in their minds, with the help of the voice they are listening to.
I listen to a lot of podcasts, which are split down the middle between comedy and board game podcasts, and a couple of eclectic ones like 'The Dinner Party' from NPR, where they take an event that happened that week in history and give you a cocktail recipe inspired by it.
The novel has always been a contradictory form. Here is a long form narrative mainly read originally by consumers who were only newly literate or limited in their literacy. The novel ranked below poetry, essay and history in prestige for a long time.
A lot of people produce podcasts in which they simply ramble on for hours about themselves and their lives. There is something very poignant about the volume of human desire to be heard out there in the Wild West of podcasts.
We have been distracted into unnatural motivations: money, prestige, power. Listening to the cuckoo is not going to give you money. Listening to the cuckoo is not going to give you power, prestige. Watching the butterfly is not going to help you economically, politically, socially. These things are not paying, but these things make you happy.
In an age where television is viewed as the best medium to 'tell stories,' narrative often stands in for substance on would-be prestige shows.
People talk about the prestige of beating records but prestige never bought me dinner in a restaurant. It's winning games that does that.
The '30 for 30' strand started life as a series of behind-the-scenes docs for the sports channel ESPN. It has now spawned an equally fascinating series of podcasts. Like the films, these podcasts don't rely on access, the usual currency of sports journalism, and are strangely excited by stories that are complicated and require telling at length.
I love great prestige television, but because I make television, sometimes I don't want to, like, you know, fall into a very heavy cerebral drama.
Being in New York, I have fallen in love with walking and listening to podcasts.
Large podcasts have a successful and sustainable business model in live show touring.
Prestige is the shadow of money and power. Where these are, there it is. Like the national market for soap or automobiles and the enlarged arena of federal power, the national cash-in area for prestige has grown, slowly being consolidated into a truly national system.
The influence of the leaders is due in very small measure to the arguments they employ, but in a large degree to their prestige. The best proof of this is that, should they by any circumstance lose their prestige, their influence disappears.
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