A Quote by Michelle Dockery

I love singing live, actually. And I'm dying to sing in a role, whether it's in a musical or a biographical film about a singer. It's always been one of my aspirations.
A musical film is my idea of heaven. You can pre-record, you don't have to sing live. Singing live was the bit I hated the most. I never felt like a confident singer.
I actually have a decent singing voice, and I've never been able to sing onscreen. I'd love to do a musical.
I've always been singing. Since day one. I started doing musical theater and you have to sing in musical theater and so that's where I got most of my training. So singing on stage, you just inevitably, when you're around other vocal artists, you get better at singing.
If I hadn't been a singer, I might have been a photographer or an artist. But it's singing I love. I sing all the time, and I feel really good that I've expressed myself.
I am going to keep on singing. I have no intention of retiring. Actually, I always wonder whether people know my songs in the different countries I visit. I feel nervous over whether they will sing along with me or not.
I'm very happy to sing whatever I'm singing. I've always enjoyed any role I've been given at a certain time. They've all been favourites, they've all been wonderful pieces to play.
A soul singer is always singing to their crowd. They're always singing about their woes to you. And I really appreciate that when a singer is making you feel... when they're directing it at me. When they're including me.
I have always been intrigued with singing and I actually started my career in musical comedies.
A singer's biographical film should have their music and their voice.
I never thought about becoming a professional singer, but I am in touch with Bono about releasing a musical movie. It will be about an Irish band during the '70s who are looking for fortune in Las Vegas. I should play the singer of the band but I don't want to sing in front of anybody.
Whether it's animated, whether it's live-action, whether it's Broadway, whether it's television, a musical is a musical is a musical. So, pretty much you approach the songs in pretty much the same way. The difference might be that in a film you have a close up. On stage you don't. So there are more songs on the stage because the songs are kind of the close up.
I've been singing since I was 16 because I love it - I wanted to be a singer, not a star. There's a difference between wanting to be famous and wanting to sing well.
To me, it's not about the lure of camera. It has always been a question of whether I can learn something new from a film role or not.
I always wanted to sing, I always loved to sing. As a child I was singing all the time, and my parents were singing all the time, but not the traditional songs because they were very Christian; the Christian Sámis learnt from the missionaries and the priests that the traditional songs were from the Devil, so they didn't teach them to their children, but they were singing the Christian hymns all the time. So I think I got my musical education in this way. And of course the traditional songs were always under the hymns, because it doesn't just disappear, the traditional way of singing.
No matter what, I will always prefer a live performance. Whether it be a play or a musical, or playing music live. As long as it's live, it's the best because there's sort of an immediacy to connection between an audience and a performer, whereas where you do film or television, you're at the whim of so many different forces.
There was a f**king review in f**king Melody Maker [of the first BOSSANOVA single, 'Velouria'] - 'Sounds like someone's been taking singing lessons'. Like, motherf**king A! I am the singer. Who do sing SONGS. It's like I never sang before; like I was - I don't know - reading PROSE on my previous records and now I sing. EXCUUUUUUSE me for singing
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