The great thing about filming a film is that you all have your final day's shooting, but you always know that you're all going to be coming back for the premiere.
We didn't know how it was going to go but it was always going to be hard for me to go straight from Melbourne into Manchester City's first team. It was always the plan for me to go on loan.
I went straight from filming the second season of 'Survivor's Remorse,' and the creators over there were so supportive in letting me go early so I could film 'Chi-Raq.' And that was an amazing experience.
Now there's always exceptions to that and the reason is if the film doesn't really work, whereas before you could rely on a decent amount of DVD sales to prop up the revenue to ensure that you got out in a decent manner, now if the film doesn't work, the film doesn't work and there's none of that DVD revenue to fall back on and you can lose a huge, huge sum of money on a big budget movie.
It's been a while. I haven't seen the actual gag reel they put on the DVD. I just saw the DVD myself, so I know that it's going to be some version of what we saw at our wrap party. Some of the funniest things probably wouldn't make it to the DVD and that involved Ryan O'Neal singing and they intercut that with the American Idol judges judging him, which was pretty funny.
The way that I look at it is that, when we film for eight months straight for a new 'Jackass' movie, I know that I'm going to wind up with at least two broken bones. I don't know when it's going to happen, but you can't contemplate how you're going to fall and what's going to happen.
I've always slightly worried the kids who play football around my house. They know I'm an actor, but felt sorry for me because they'd never seen anything I've done.
The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story's going to end and how it's going to go. But on television nobody knows what's going to happen, even the writers.
My favorite part of a roller-coaster ride is when you're going up and you're slightly scared and really excited. You don't know what's coming next but you know it's going to be good. You can't handle it, go on the carousel
My favorite part of a roller-coaster ride is when you're going up and you're slightly scared and really excited. You don't know what's coming next but you know it's going to be good. You can't handle it, go on the carousel.
The roadwork is just rehearsal for that DVD you're going to film a year later.
My most enjoyable movie going experiences have always been going to a movie theater, sitting there and the lights go down and a film comes on the screen that you don't know everything about, and you don't know every plot turn and every character movement that's going to happen.
Filming movies and TV are vastly different. Film is more of slower pace. You usually have more time to develop characters, and it sometimes takes up to 3 months to film one movie. Sometimes you'll spend half the day filming one scene. TV moves much faster. It takes about 10 days to film an episode.
When you go into a film, you read it, and something clicks for you, and you like it, and you sign on for it; you go for it. You know that this is going to be a good film, and that is your best hope. Past that, it's a crap shoot - you roll the dice.
I always had ambition. I always knew I was going to go to college. I could party and do that stuff, but I always got straight A's and a 4.0 and all that.
Everyone thinks that Fight Club is a very important and successful film, but it was a massive box-office failure. Massive. It was a big flop by any commercial-release standard. And it's been a huge hit on DVD. Everything that movie has become has been on DVD. So you can't stake your sense of creative success on this whole box-office-performance matrix, because if you do, you're going to be disappointed most of the time.