A Quote by Michelle Gomez
I was quite bright, but I didn't do much with it, and I thought acting was dressing up and shouting for a living - which, of course, it isn't.
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I wouldn't apply myself at school. I was quite bright, but I didn't do much with it, and I thought acting was dressing up and shouting for a living.
I certainly got the jokes within the joke, dressing up in a wet suit, sitting in a Twingo, scaling a rubber mountain, dressing up and stealing a diamond, of course. If not now, when?
I did get the nickname 'craptain' from the Yorkshire dressing room. A bit of banter which I thought was quite funny.
Acting is not about dressing up. Acting is about stripping bare. The whole essence of learning lines is to forget them so you can make them sound like you thought of them that instant.
I was very much into science when I was young - I wanted to be a marine biologist, then I wanted to be a doctor, and then something else, I was always changing. Acting didn't come up until much later, probably about 16 or 17. I thought, "Oh, I quite like this."
Acting is many things. Acting is playing lines, of course, but it's much more profound than that. Acting is truth-telling and trying to find the truth in a human situation, which will be sketched out by a screenwriter with all the skill that a screenwriter can do; but in the end, that's just the map of the journey.
I feel that a lot of British comedy is often too bombastic, too obvious, dressing up and shouting and pulling funny faces.
Of all the things I do, acting is the thing that grabs most, but there's another level on which it strikes me as being a little silly. In the end you're dressing up and deciding to be somebody.
It takes quite a while for the living to catch up with the believing, but of course it can. As we live up to the highest light we have, more light is given.
Acting is many things. Acting is playing lines, of course, but it's much more profound than that. Acting is truth-telling, and trying to find the truth in a human situation, which will be sketched out by a screenwriter with all the skill that a screenwriter can do; but in the end, that's just the map of the journey. The actor's job is to divine and embody the truth, and find it.
Exclamation points are the most irritating of all. Look! they say, look at what I just said! How amazing is my thought! It is like being forced to watch someone else's small child jumping up and down crazily in the center of the living room shouting to attract attention. If a sentence really has something of importance to say, something quite remarkable, it doesn't need a mark to point it out. And if it is really, after all, a banal sentence needing more zing, the exclamation point simply emphasizes its banality!
Yes, I know what passion would fill me with all its power. Before, I was too young. I got in the way. Now I know that acting and loving and suffering is living, of course, but it’s only living insofar as you can be transparent and accept your fate, like the unique reflection of a rainbow of joys and passions which is the same for everyone.
I love acting. I think that's the best job in the world, but I don't really enjoy the career of it so much. You don't have as much control over your life or the material as you do, well, certainly when you're a director or a producer, so while I love acting, I prefer to make my living as a filmmaker, but my rule on acting is if somebody asks me to do a part, I'll do it.
My first experiences with fashion were dressing up. It was always about fantasy for me. Dressing up as characters . . . I always thought that's what clothes were - that they would make you into the person you wanted to be. I'm an actress, so I love to act, and I think that's one of the most important things - the thing that makes you feel like another person.
I was always dressing up as a kid. I had a dress for all the Los Angeles bar and bat mitzvahs that I was going to when I was 13 which I was crazy for. It was green, dark, shimmery. Very 1980s. It was slightly off-the-shoulder, which I thought was very sophisticated.
When Levin thought what he was and what he was living for, he could find no answer to the questions and was reduced to despair; but when he left off questioning himself about it, it seemed as though he knew both what he was and what he was living for, acting and living resolutely and without hesitation.
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