A Quote by Michelle Keegan
It is, because you've got a nice picture, you want to put it up, and then you're like, 'Do I want this to go out in the press? Do I want them to run it and make a story surrounding that picture?' That's what I have to think of all the time.
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If you want me to explain the picture, if you put it in reality, then the mystery goes away. The situation just catches you and you think it is absurd or mysterious and you just take the picture. You dont want to see the bare reality of what happened. I took the picture as the picture, not as the realistic story of what happened.
For me, when I picture the person I want to end up with, I don't think about what their career is, or what they look like. I picture the feeling I get when I'm with them.
I want to make books. I want to take pictures and then write all over the pictures. And then I don't have to say a complete story, because I have the picture, and I have just a word.
I go out and I meet people after the show, I take every picture that they ask for, I sign every autograph that they want. You know, there's merchandise for sale, but people don't have to buy anything. I'll sign their tickets, I'll sign whatever they want me to, I'll get a picture with them and I'll stay there with them as long as they want.
If you want to make pictures and enjoy making them, you better go out and make something that a lot of people want to see. And then they'll turn you lose and let you make what you want. And then maybe you can do some of the things that you want to do. But as a beginner, you haven't got a chance.
It's crazy, because you see these famous actors or actresses and I'm like, 'Oh, I want a picture with you!' and they're like 'No, I want a picture with you!'
I always find myself gravitating to the analogy of a maze. Think of film noir and if you picture the story as a maze, you don't want to be hanging above the maze watching the characters make the wrong choices because it's frustrating. You actually want to be in the maze with them, making the turns at their side, that keeps it more exciting...I quite like to be in that maze.
I will be so glad to take the picture and pose and look good for the picture. But when you catch me while I'm looking real sideways and the picture's ugly as hell, I don't want you to have the picture like that!
In the age of camera phones and screenshots and Twitter.... At the end of the day, I want to share my life with somebody, you know? I want picture albums. I want to look back at our time together. And I also want kids. And if you want kids, then you want marriage.
I feel I'm such a big part of that insecurity that some girls might have because of my job, that girls think they have to be that picture. And even boys, they think that that picture exists, and it's so frustrating because I don't look like that picture - I wake up not looking like that picture.
Frame in terms of what you want to have in the picture, not about making a nice picture, that anybody can do.
When an artist paints a picture he does not want you to consider his personality as represented in that picture - he wants you to look at the beauty of that picture. No one cares who has painted the picture as long as it is beautiful.
I want to make a picture that could stand on its own, regardless of what it was a picture of. I've never been a bit interested in the fact that this was a picture of a blues musician or a street corner or something.
I don't want to lose ever. I don't want to lose at anything. I want to make weight faster than the guy that I'm fighting if we both go into the sauna at the same time. When we're doing interviews I want to have quicker wit so that I can make him feel stupid. I want to drink my water faster. And then when we get in the cage I want to beat him up. I don't think people really truly understand the extent that I go to try not to use.
It takes me about two hours to run into Target. People always want a picture. They hem and haw, and they can't spit the words out, so they waste about five minutes of my time just standing there getting ready for a picture. Just do it!
One time, I put up 40, 50 points dunking on Shawn Bradley. After the game, he brought his family over. He was like, 'This is my wife. She wants to take a picture.' I'm like, 'Nice to meet you.' I smile into the camera, take the picture, and then feel guilty about dunking on him so many times.
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