A Quote by Michelle Lujan Grisham
I was fairly young when we moved to Santa Fe, but it wasn't long after that I started to figure out who I was, and that entire process took place in this city.
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When I came to the States, I still wanted to be an electric guitar player. But moved to Santa Fe in '86. And just decided that nylon string guitar is really what I wanted to do... And that really change my life totally as well... And Santa Fe is one of those really unusual places that is such an interesting mix of culture. There is a lot of from restaurants to music... I remember one of the first groups I saw playing there in the back of a restaurant, was a banjo player, a classical violinist, and a flamenco guitarist. And I thought to myself, "What? You know, this is great."
Santa Fe is a great place which people don't get there often, but it's like a unique place.
Suddenly the land is haunted by all these dead Indians. There is this new fascination with the Southwest, with places like Santa Fe, New Mexico, where people come down from New York and Boston and dress up as Indians. When I go to Santa Fe, I find real Indians living there, but they are not involved in the earth worship that the American environmentalists are so taken by. Many of these Indians are interested, rather, in becoming Evangelical Christians.
Right after high school, I moved to Rio and took classes to become a technician for a manufacturing factory where you had to figure out how to produce 3,000 pairs of jeans. But in Rio, I was by myself, which was very liberating, being so young. I got to do my own thing.
I've always loved opera; it never occurred to me that I would write a proper libretto. One of my closest friends is a composer, Paul Moravec, and a few years ago, Paul and I were at lunch, and I said to him, "you really have to write an opera." So, he says very casually to me, "I'll do it if you write the libretto." Well, little did I know that the within a couple of years we would end up getting a commission from the Santa Fe Opera to write an opera together, "The Letter," which turned out to be the most successful commissioned opera in the history of the Santa Fe Opera.
It took me several years to figure out who I am and a few more to accept what I discovered. Now, I'm in the enjoyment stage of that process and it's a happy place.
I took a few months off after my senior year was over, and I prayed and tried to figure out what was my plan and my purpose. That's how I started writing songs and playing guitar just to get my feelings out.
I joined the board of the Santa Fe Institute.
I mean the reason that I started writing close to home, "Santa Fe," et cetera, was a kind of looking back on past events. I don't know, it's just some of the dark spaces I've been. And it feels like with a music career and whatnot, I've been able to crawl out of those places. So it's interesting to look back on them and try to hold on to the feeling of what you went through.
I have a deep attachment to the natural world. It's a major influence on my writing, and as I look out over the wonderful snow-covered Santa Fe hills, I'm grateful for every day that I live here.
Santa Fe is fun to visit, but property there will cost you an arm and a dillo.
My dad founded the 'Rancho Santa Fe Times' and won a lot of journalism awards.
Santa Jr. I was a cop. Yes, I was officially Santa. But a younger Santa. He goes young, clean-shaven, to how we imagine Santa with all the white hair and beard and "Ho ho ho." Kind of funny.
Overwhelm, panic, and wanting to flee were states of being in my everyday life as I tried to figure out life on my own, in the city I had grown up in, after an entire life made in Olympia, Washington for the eight years previous.
When I moved to New York, I feel like a lot of things widened within my perspective and as I spend some time here - as everyone does when they're that age or a young person - [you] figure out your own ideals or figure out the way you fit into society a little bit more than you did before.
Finding the form was really a very dynamic process. I went through a lot of shifting, trying to get it right. Because the writing took place over such a long time, it's hard for me to pinpoint when specific things happened, but basically the final version only materialized in the last two or so years. It was there, but it took me a while to see it and then to refine it after I'd seen it.
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