A Quote by Michelle Monaghan

I think if you find that you're making a judgment on the character, than your audience will make a judgment on the character. — © Michelle Monaghan
I think if you find that you're making a judgment on the character, than your audience will make a judgment on the character.
I think you should identify with your character, but plenty of people like themselves and hate themselves. You just have to find out what's truthful for the person you're playing. When people talk about that, I think what they're saying is that as an actor, as Peter, you don't want to make a judgment that comes from your worldview about the character. Your judgments should be coming from the place of the character, and within that space, sure, you could love or hate yourself or whatever you think is most appropriate.
Michael Marcus taught me one other thing that is absolutely critical: You have to be willing to make mistakes regularly; there is nothing wrong with it. Michael taught me about making your best judgment, being wrong, making your next best judgment, being wrong, making your third best judgment, and then doubling your money.
One of the fundamental points about religious humility is you say you don't know about the ultimate judgment. It's beyond your judgment. And if you equate God's judgment with your judgment, you have a wrong religion.
If someone is making a judgment when they don't have firsthand experience, it's intolerant. How can you make a judgment on something you don't know about?
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
Is it more important to make sure that you have another Clinton or a woman in the White House than it is to have somebody who is a morally sound character and judgment?
First of all, the actor needs to get out of the character's way. You follow the character without judgment or prejudice or preconceived ideas.
The judgment: You are now before Yama, King of the Dead. In vain will you try to...deny or conceal the evil deeds you have done. ... the mirror in which Yama seems to read your past is your own memory, and also his judgment is your own. It is you yourself who pronounce your own judgment.
Rely upon your own judgment; be true to your own conscience; follow the light that is within you; all outward lights are so many will-o'-the-wisps. There will be those who tell you that you are foolish; that your judgment is faulty; that your conscience is all awry, and that the light within you is darkness; but heed them not. If what they say is true, the sooner you, as a searcher of wisdom, find it out the better, and you can only make that discovery by bringing your powers to the test. Therefore, pursue your course bravely.
It was tough to not be judgmental of a person like Harshad Mehta. But that's where the training of an actor comes into play. My job is to create that character and present him to the audience. If even one per cent of judgment creeps in, then the whole performance will be affected.
Make your judgment trustworthy by trusting it. Cultivate regular periods of silence and meditation. The best time to build judgment is in solitude, when you can think out things for yourself without the probability of interruption.
The first theme that every audience can get easily everywhere in the world is the theme of judgment. You are constantly judging if this character is doing something wrong or right, or the other character is doing something right or wrong.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
It is only an error of judgment to make a mistake, but it argues an infirmity of character to adhere to it when discovered.
Remember, passing judgment on someone else's character, is only a reflection of your own.
I love it and it is a blessing to be able to have seventy-five to eighty episodes to develop a character and find your voice. You have a similar through voice, and yet you are making different decisions, and so you act differently and you make different choices, as that is what your character would do.
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