A Quote by Michelle Obama

The realities are that, you know, as a black man, you know, Barack can get shot going to the gas station, you know. — © Michelle Obama
The realities are that, you know, as a black man, you know, Barack can get shot going to the gas station, you know.
[Grew up in Hawaii] that gave [Barack Obama] a kind of optimism, an ability to see things, you know, and frankly, an ability to trust, you know, in his fellow, you know, white countrymen in a way that I, for instance, you know, and the vast majority of black people I know never really could.
I still have the mentality of someone who doesn't know where he's going to sleep and doesn't know if he has enough money for gas to get to the next job interview. I don't think that mentality ever leaves, you know?
Obviously, I'm not not black. But this is one thing I do know after years and years of working with a lot of black players and black commentators on many networks: That if you go to the place of you're telling a black man, or a black woman, that 'You should know your place and stay in it,' when you get to there, them's fighting words.
Japanese train signs, station signs, are really representative of the Japanese mind to me, because it always has the station where you are, the station you were previously at, and the station that is the next station. When I came to New York, I was very confused. It just doesn't say where I was and where I was going. But I realized after a while probably most people don't need to know what station you were previously at. But I think it's just some weird Japanese mentality that we need to know, we need to connect the plot.
The only other thing I can really remember wanting to do besides acting was a gas station attendant. At the time, that seemed like a great job - wash the windows, pump the gas - it looks so cool coming home with black hands. There's a natural transition, from wanting to be a gas station attendant to being an actor, right?
I know that I'm going out there, and I know that I am going to get hit in the head. I know that's part of football. That's like a firefighter knowing he is going to go into a fire at some point. You know you are going to be put in danger's way, and you accept that risk, and you do it.
I know my girlfriend is free-spirited. I know she's so charming that it's disarming. I get it. And I know that every man is going to fall in love with her.
I don't know how far, I don't know where I'm going to be or where I'm going to go, but I know this - if a team comes to grab me, I know they're going to get a special player, and I'm ready to show them what I can do and make sure I can contribute.
Think about the difference between how your local gas station and congressman respond to a spike in oil prices. One has the price placard outside changed to reflect the reality of the market within hours. The other sends out a press release, tries to organize a hearing, and at the end of amount accomplishes nothing. Meanwhile, the gas station has already made at least thirty additional adjustments to the realities of the market while your politico fails to get anything more than easy media.
The terms which, in his inmost heart, each man knows. As I know mine. As all know. For that is the truth of it — that we all know, God, that we know, that we know, we know, we know.
I decided I was going to be an artist who wrote my own songs, and turned down the publishing deal. That meant that the first few years here were really tough financially. I didn't know if I was going to have gas to get home sometimes or could put gas in the car.
You know what my drink is? Jack Daniel's. Yes, that is a wild man drink. That should come with bail money, you know what I'm saying? Because on Jack, you don't know where you're going to end up, but you know when you get there, you won't be wearing any pants.
Let's give it up for the Secret Service. I don't want to be too hard on those guys. You know, because they're the only law enforcement agency that will get in trouble if a black man gets shot.
My true role is to get actors to understand what the camera is doing and what my intent is so they don't waste their good stuff on over-the-shoulder shots and wide shots. They need to know when we're going in to get something important, so they know to really go for it. No human being can give you 1,000 percent on every single take or shot, so you need to let them know what you're heading for. It's important that the actors know they're being looked after and being recorded in a way so they can do their best.
When I reach the line, I just know I'm going to dribble the ball twice, and when I shoot, I know it's going in. I get there and relax. I've put more in than I have missed, so in my head, I know they're going in.
You know the Scripture says "be not deceived for God is not mocked; whatsoever a man sow that shall he also reap." And one day, I don't know how they're going to get it, but they're going to get some of it back. They are scared to death and are more afraid now than we are.
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