A Quote by Michelle Paver

I definitely don't write with any kind of 'message' or 'lesson,' probably because when I was a child, I used to run a mile from books like that. — © Michelle Paver
I definitely don't write with any kind of 'message' or 'lesson,' probably because when I was a child, I used to run a mile from books like that.
I definitely thought I was going to write books. I wrote a couple of children's books when I was like 11 when I was a child myself!
I think the most important lesson isn't necessarily to try and write a different book every time, or to try and brand yourself and write one specific kind of book, but to write the kind of books you love to read.
If there is any message in the 'Wimpy Kid' books, it is that reading can be and should be fun. As an adult reader, when I see an obvious moral lesson to be taught, I run in the other direction... Kids can sniff out an adult agenda from an early age. I'm writing for entertainment, not to impress literary judges.
One hour with a child is like a ten-mile run.
I write because I have an innate need to. I write because I can't do normal work. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it.
The kind of boy's club I'm used to? It is definitely not a jock-y, frat-y kind of thing. They say, 'I'm sensitive and nerdy,' but actually, it's like, 'You're a huge child and you're terrified of women, but you don't like sports, so you think that makes you less of a misogynist.'
I've always loved reading, and as a child I used to try desperately to write books like the ones I read.
I don't think I'm equipped enough to be giving anyone a civics lesson or any kind of message.
I think that books for young people should have serious and important themes, they shouldn't be trivial. So the books I write, they would be the kind of stories you would write in an adult novel only they just happen to feature a child at the center of them.
I still retain a bit of a child's focus on things, so we [with my sister] figure if we're going to write books, our best shot is to write children's books, because we relate pretty readily on that level.
Along 4 Mile Run, there was a nice woods down in front of the house. I used to run around there.
I used to write my books at night when I was a freelancer with no children. I used to really work in huge spurts - I could turn around a revision in two weeks, I used to be able to write 10,000 words a day. It's like, 'Wow, what happened to that?' That's just gone.
Listen, I wrote 10 unsuccessful books before I broke through, so I'm looking all the time to keep my books fascinating. I want to write what people want to read, not push any message.
We lived in a very modest house. My father drove modest cars, we didn't travel, we didn't do any of the things that, were commensurate with the kind of income that he was making. So we got this kind of, double message, which was, y'know, "You work hard and you make as much money as you possibly can, but you don't spend any money." And you see how well I learned that lesson.
I never write with any kind of message, and I don't think that this book, 'Goodbye, Stranger' has a message in the capital M form of the word but I do hope it makes people ask themselves questions about what they think.
The people who review my books, generally, are kind of youngish culture writers who aspire to write books, or write opinion pieces about what they think of Neil Young, or why they quit watching ER or whatever. And because of that, I think there's a lot of people who write about my books with the premise of, "Why this guy? Why not me?"
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