A Quote by Michelle Payne

I would like to thank all of the owners, John Richards specifically, I think he is the main man who kept me on Prince Of Penzance, maybe a few of them who wanted to take me off.
I listen to the people. That was a big reason for my life, maybe the main reason, I'm singing because I love it when people say to me, 'Thank you.' I thank them. It's a marriage.
Russell... I love you. I thank you so much man. You made me better. You know, Your work ethic. I always wanted to compete with you. I always wanted to pull up into the parking lot of the practice facility, And if you beat me there, I was always upset. I always wanted to outwork you. And you set the bar. You set the tone. And thank you so much man. Thank you. You had a big piece of this MVP trophy. You're an MVP caliber player It's a blessing to play with you man.
If it was up to me, I would be given ample time to do a full on performance. I would play all of the instruments that I can play, really show off to the world, then maybe have an Intercontinental title match and follow that up, maybe go out against somebody like The Undertaker or John Cena, anybody that can really top off a great performance.
When Russell was out, you stepped your game up for me, for the team. There were nights where you made me look way better than I am. You clean up so many of our mistakes, man, and we appreciate that. From everybody on the team, we appreciate that, man, and I thank you so much for giving me confidence when I didn't have it, for always being there when I wanted to talk to you, when I wanted to call, for arguing with me all the time, making me better, and realizing I'm not always right. Thank you, man. I appreciate you.
I looked at my two wolves. When I knelt they came to me rubbed against me smelling me and I stroked them. "Thank you for believing in me " I said and maybe they understood and maybe they didn't.
Scott Brooks you mean the world to me. I love you. You as a man, I never met anybody like you. So selfless. You don't take the credit for nothing, Even though you deserve all of it. I love you and your family for always taking me in, Believing in me, Texting me late at night when I was going crazy. Thank you. Thank you.
I have had quite a few obsessive fans. They write to me and then they turn up at signings and look really sheepish. If I said 'boo' to them, they would run away. I think they maybe believe I could take over their lives and sort them out. If they saw the state of my kitchen they wouldn't think that.
I always thought I looked kind of like Keith Richards, and sometimes I think I look like Michael Jackson in his mug shot. But as I think Keith Richards is pretty great-looking, I'm embracing that part of me.
If I wasn't acting, I would own a farm. Not like growing crops but maybe have a few animals like cows, and maybe an alpaca or a llama. I would chop wood all day. I would make a living doing that; it's, like, an idealistic scenario for me. It's very contrary to my upbringing, but maybe that's the appeal to it.
True love was forever lost. The prince was never coming back to kiss me awake from my enchanted sleep. I was not a princess, after all. So what was the fairy-tale protocol for other kisses? The mundane kind that didn't break any spells? Maybe it would be easy - like holding his hand or having his arms around me. Maybe it would feel nice. Maybe it wouldn't fell like a betrayal. Besides, who was I betraying, anyway? Just myself.
Music kept me off the streets and out of trouble and gave me something that was mine that no one could take away from me. Music education and families are dealing with the economic times, and I wanted to help them. If I can help a kid discover a liking, or even a passion for music in their life, then that's a wonderful thing.
THE SERUM WEARS off five hours later, when the sun is just beginning to set. Tobias shut me in my room for the rest of the day, checking on me every hour. This time when he comes in, I am sitting on the bed, glaring at the wall. “Thank God,” he says, pressing his forehead to the door. “I was beginning to think it would never wear off and I would have to leave you here to … smell flowers, or whatever you wanted to do while you were on that stuff.
You're not like the others. I've seen a few; I know. When I talk, you look at me. When I said something about the moon, you looked at the moon, last night. The others would never do that. The others would walk off and leave me talking. Or threaten me. No one has time any more for anyone else. You're one of the few who put up with me. That's why I think it's so strange you're a fireman, it just doesn't seem right for you, somehow.
I think it was in Moscow last year and I got changed for training the day before we played Moscow, but the fact is they actually wanted to do John's, me and John were next to each other and they did mine by mistake. John had done them I think. So yeah it is true.
I don't know what would be antithetical to do on the other side, maybe a Tyler Perry movie or something. No, there are very few comedies that live in between that. Or you're doing some kid thing like a Jim Carrey movie with animated something that's like that. Yeah, I've wanted to do them. I like doing them. I did Talk to Me. That was pretty much a comedy.
I don't think about the reader in any conscious way that impacts the writing, as far as, Hey, most readers would like this! But at the same time, if it were presented to me: "John, you're going to write a novel. It's going to take you a few years. When you're done with it, there's a law that no one's allowed to read it." I don't think I would write it. I want someone to read it!
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