A Quote by Michelle Pfeiffer

I've always had a very extreme personality, which gets me into major trouble, I'm always all or nothing, and I don't know the world "balance." I'm desperately trying to learn it because I think as you get older it becomes very important.
I found that life for me gets a lot more serious as you get older. You start off young and happy and smiling and "Wooo! I'm having fun!" And then you get married, and that's very serious, and you have kids, and that's very, very serious. So as you get older, you start thinking about passing away, and that becomes extremely serious.
I always wanted to write a book about a common food that becomes a commercial commodity and therefore becomes economically important and therefore becomes politically important and culturally important. That whole process is very interesting to me. And salt seemed to me the best example of that, partly because it's universal.
It's cool because, as you get older, you get offered older parts. You're older, so you can't play 10 anymore. That was always very exciting for me.
When I was starting out, I would get printouts of what was being written about me that week. At first it was all good things, and then it started to turn. I very quickly learned, "This isn't good, this isn't helping me." But it was a very important exercise for me in terms of really understanding that one's sense of self is internal. I have had an extreme opportunity to learn that lesson, and I think it's been such a blessed fortune.
The visualization of my films is always very important to me and I work very closely with my cinematographers. I've never had the same cinematographer twice now that I think about it. I don't know why that is. Everyone is always busy. They do three or four films a year. It's vital to me.
I'm always trying to be the best, on and off the pitch, is also very important. I've always taken things very seriously, since I was very young, and that's reflected in my career. Always being nominated, winning trophies for the club or individual awards, that's the culmination of many years of dedication, hard work and professionalism and that makes me very happy.
I think it's really important to be humble for the music because there is always someone better than you, there is always something new for you to learn for music and you can't be the best in the world. It makes you work very hard.
It's very hard to write about that which is always beautiful and pleasant and good. You don't get anywhere with it. There's no friction in it. There's no trouble. You have to have trouble. Somebody's got to get in trouble, or no one wants to read it.
I think the important point which I've been trying to get across is that Islam, from the very beginning, is strongly, clearly opposed to autocratic dictatorial government. The idea which we so often hear expressed in the Western world, that's how they are, that's how they will always be and they can't do anything else.
I always managed to get in trouble, like every kid. But I had to learn a lot of hard lessons on my own, without parents who would nurture me and guard me through that part of life, at a very young age.
I never wanted to do just comedy or just drama; sometimes, going back and forth you can get yourself in trouble which happened to me on other things so you're always trying for a delicate balance - I also think that they compliment each other so well.
I'm very blessed, mainly because even though my family is mostly in show business, it's really centered around music. My parents were very successful in many ways, but they weren't necessarily top of the charts. We were never wealthy because of music. We always had to work and we always had to struggle a little bit, and I think at the end of the day that's been very good for me, because I have a sense of it being very ephemeral.
But the time in Portugal was very important for me because I've always been comfortable with the ball, but I think I proved that even more there because it was a very important thing in the game.
Just supposing," he said, "just supposing" --he didn't know what was coming next, so he thought he'd just sit back and listen--"that there was some extraordinary way in which you were very important to me, and that, though you didn't know it, I was very important to you, but it all went for nothing because we only had five miles and I was a stupid idiot at knowing how to say something very important to someone I've only just met and not crash into lorries a the same time, what would you say..." He paused, helplessly, and looked at her. "I should do.
I always love trying to put my arms around more people. As a designer, it's a great compliment when people wear your clothes or buy your products, so to do things that are more affordable and have more of a distribution is always very exciting - especially when I can still bring my personality in complete, heavy doses. It's not a diluted version of me; it's a very clear extension of my personality.
I don't believe in trouble. Because I think that trouble is sometimes good, sometimes bad. I've been known to be called trouble, which I think is quite a compliment. But I suppose, thinking about it, that my best and worst trouble has always had something to do with a man.
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