A Quote by Michelle Pfeiffer

There are certain scenes you do in a movie that are like catching a wave, and you leave work feeling elated - almost as though you've purged something. That's rare, but you do live for those moments.
It's rare when you're actually making a movie and it feels like you're watching a movie in the theater. You feel like a surfer in a wave, catching the wave, going for it every time, there's electricity in the room, it doesn't feel like acting, you ride the wave.
It might be rare, but there are certain moments when you really don't feel like yourself. When you are in the character so fully, it's the best feeling ever. I so love it. Even if those moments come just once a day or every other day, they are just worth it.
There can be moments onstage - but sometimes in a movie, too - where you just feel you're in a golden space. You're in this strange world where everything you do makes sense. And it's funny: the audience is right in it with you, and the other actors, and you get these rare moments of feeling at one with something. You hear voices in your head.
I can act every single day because I love it; it's just so liberating. It might be rare, but there are certain moments when you really don't feel like yourself. When you are in the character so fully, it's the best feeling ever. I so love it. Even if those moments come just once a day or every other day, they are just worth it.
There's obviously some appeal in scenes for me - there's something I respond to. I keep doing those films where I put myself out there like that. I guess I look for those kinds of moments and I pride myself on being an actor who will do just about anything for a laugh - so long as it's within context of the scene in the movie and it's not gratuitous. I have to feel it'll make people laugh.
Do you know what makes a movie work? Moments. Give the audience half a dozen moments they can remember, and they'll leave the theatre happy.
I don’t leave her speechless very often. I have to enjoy those rare moments.
I'll have these internal moments where I'm empathizing with someone else or feeling something myself, but I'm like, "How can I see the best in this situation?" Sometimes those are the moments where you can have the most clarity.
I just shot my first dramatic movie in France, and for those dramatic scenes that I shot, I would not want to look at those. There's a certain mindset you have to put yourself into for those scenes, and looking at the monitor would just take you out of it.
I'm trying to find these rare moments where you feel completely illuminated. Facts never illuminate you. The phone directory of Manhattan doesn't illuminate you, although it has factually correct entries, millions of them. But these rare moments of illumination that you find when you read a great poem, you instantly know. You instantly feel this spark of illumination. You are almost stepping outside of yourself and you see something sublime.
I wanted my life to start - but in those rare moments when it seemed like something might actually change, panic shot through me.
All I really know in nonfiction is that when I come home, I've got all these notes and I'm trying to figure out what actually happened to me. I usually kind of know what happened, but as you work through the notes, you find that certain scenes write well and some don't even though they should. Those make a constellation of meaning that weirdly ends up telling you what you just went through. It's a slightly different process, but still there's mystery because when you're bearing down on the scenes, sometimes you find out they mean something different than what you thought.
There's something about seeing a movie that you like, and being able to see the scenes that didn't make it, just as a window into the process of how choices are made and how a movie is made. To me, the idea of getting to have the scenes on the DVD is very exciting.
There are only three reasons to do a movie: the cast, the director, the role. Like I say, you live in a minute of screen time, but to prepare for the minute takes much more than a day. You'd better be excited about what those moments are, even if they're the hardest moments. Or the smallest.
Both as a filmmaker and as a fan I love the behind-the-scenes stuff, I like it even more than deleted scenes frankly. Especially when you're happy with the movie and you're proud of it, those deleted scenes give you also a sense of the making of the film and the process through which you end up with the final product.
I would honestly be elated if I could wave a magic wand and eradicate my back catalog and then have a fresh crack at some of those ideas.
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