A Quote by Michelle Pfeiffer

Acting's an odd profession for a young person; it's so extreme. You work, and the conditions are tough and the process is so immersive, and then it stops, and then there's nothing. So you have to find ways of making you feel productive when you're not actually producing anything. For a young person, that's really challenging.
If you have the attitude of a young person and you work like a young person and you keep your body in shape, and if you believe that you can do it, then you can actually make other people also believe that you can do it.
Buddha introduced the idea that young people should become sannyasins. Then it is something significant. When a young person goes beyond sex, when a young person goes beyond desires, when a young person goes beyond greed, ambition, the longing to be powerful, the ambition to be famous, then it is something tremendously meaningful, significant.
The casting process for 'Hate Mail' just got so difficult. Once you lock in one person and then you try to find the next person, you lose the first person and then the financing falls away.
It's really interesting - I wanted to become an actress when I was young because I wanted to do romantic comedy. And I did a lot of comedies very early on, but then my career took kind of a left turn with Joss Whedon, and I discovered that doing genre work is actually more interesting as an actor, because the given circumstances are more extreme. And it really is creatively more challenging.
This is wonderful for a young person, no matter what profession they're in. When you can see something and you can feel this attraction to it, then it becomes less of me trying to teach them as they teach themselves. They've got it and bang off they go.
In collage you're doing it in stages so you're not actually doing it right there. You first of all draw it on the paper, then you cut it up, then you paste it down, then you change it, then you shove it about, then you may paint bits of it over, so actually you're not making the picture there and then, you're making it through a process, so it's not so spontaneous.
I was so young when I got so famous, and then I kind of put up a wall around myself. I didn't really want to show people any fragilities or fears; I was trying to be this tough person that I felt was expected of me.
When I was young and crazy, I was young and crazy. It can be hard enough just to BE in your teens and 20s. Then add fame, money, access, and every single person telling you that you're the greatest person who ever was, and it can be a recipe for disaster. Some people literally don't survive it.
I think that, like anything, people take their image and what they want somebody else to be and then people just run with it. And when you really know the person and really love the person, you recognize that that person is nothing like that.
There's no psychological barrier anymore that stops a young person or an older person from taking heroin.
It's challenging to find an identity as a young person if you don't have the sustenance of love, because you're being shipped around.
I don't think you ever love anything as passionately as you do when you're a teen. You remember the books you read as a young person your whole life. I feel so lucky to write for young adults.
Drama is based on the Mistake. I think someone is my friend when he really is my enemy, that I am free to marry a woman when in fact she is my mother, that this person is a chambermaid when it is a young nobleman in disguise, that this well-dressed young man is rich when he is really a penniless adventurer, or that if I do this such and such a result will follow when in fact it results in something very different. All good drama has two movements, first the making of the mistake, then the discovery that it was a mistake.
When people come together too young, they try to become one person. As you get older, you realize that you don't want to become one person because then you lose the person you are.
There was a Young Person in pink, Who called out for something to drink; But they said, 'O my daughter, there's nothing but water!' Which vexed that Young Person in pink.
You start a project as a young person and then at the end you are another person. You are ready to go for your pension.
This site uses cookies to ensure you get the best experience. More info...
Got it!