A Quote by Michelle Rodriguez
When I was about, I'd say, 18 or 19 years old, I wanted to be a part of the CIA just because they know those intimate secrets... So I was just always into knowing. I like to know things.
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Even when I was at CIA, I'd go to visit foreign leaders and I'd say, 'You know, I'm not a diplomat. I'm just an old CIA guy'... I said, 'If I wanted to be diplomatic, I'd have been a diplomat.'
You hear a lot of people, they turn 40 and it really bugs them and they get depressed or whatever. I don't know - I just don't feel that way. I feel 19 years old all the time. I mean, it's not a lie. I could easily say, God, I feel 70. Or maybe I seem like I'm 70 or 200 or something to other people, I don't know. My brain feels 19 all the time. And that's a good spot.
I don't think he was knowable. I mean, when most people talk about knowing somebody a lot or a little, they're talking about the secrets they've been told or haven't been told. They're talking about intimate things, family things, love things," that nice old lady said to me. "Mr. Hoenikker had all those things in his life, the way every living person has to, but they weren't the main things with him.
One of the things that distinguishes the CIA from the State Department is that the CIA is both asked to, and authorized to, steal secrets. So if the question is whether the CIA steals secrets, the answer is yes.
Electronic music was just discovery about sound, all our sound options. The core percussions and melodies, they forget about it, they didn't think about those those for a good four, five years, because they were just discovering the new tools and what they could do with them, you know? The big folk revival, I think is a backlash against that. And now, I think they'll probably try to find somewhere in the middle. It's interesting. It's like push-and-pull. It's always like that, you know? Music history is always like that, this repeating evolution of music.
I finally got the dad I always wanted and then he left. At 18, 19 years old, I was really upset and had to work through that.
I always say Manny [Ramirez] is a strange guy. Outwardly, he's happy-go-lucky. On the inside, he's got a lot of conspiracy theories going on. I would say Manny might be one of these guys when he's 50 years old, he might be in his house with all the blinds shut kind of looking out like the CIA's out there. You don't know, man. I mean, you don't know what's going on in the interior with him. So you don't worry about it.
I always like to shop and for me it was just about seeing things I like and making it part of my wardrobe and collecting things that I could always bring back when I'm like 50, 60 years old.
The things I used to say when I was 18, 19 or 20 aren't the things I'm feeling now, you know?
In 1966 I recorded my first bolero album. I was about 18 years old then and I recorded it because I wanted my parents to know that I hadn't lost my identity of being Latino.
With my students, I always have to sell my subject because I know when you're 19, 20 years old, you've got other things on your mind besides American history. What I have to do is make this as compelling as possible.
I remember looking at my iTunes and was like, 'I haven't listened to an album in about three months.' What happened? I was once an 18-year-old kid who would just devour everything and want to know everything about every member of every band I liked. It became this thing where I hated the idea of music, and I didn't know if I wanted to make music.
It's never been about trying to look well-behaved. It's just how I am. I guess it's a weird thing to be 19 and not ever have been drunk, but for me, it just feels normal because I don't really know any other way. I don't know if I'd be comfortable getting wasted and not knowing what I've said. That doesn't mean when I'm older I won't have a glass of wine. I just don't think it's such a strange thing for me not to be wasted all the time.
Contraception really shouldn't be all that controversial because it's a tool a woman can use to delay her first birth until she's, say, 18 or 19 years old.
I wrote Her First American and I always say it took me eighteen years. It took me that long was because after about five years I stopped and wrote Lucinella. I got stuck; it was too hard to write. Lucinella felt like a lark. I wanted to write about the literary circle because it amused me, and I allowed myself to do what I wanted to do. It's just one of the things I'm allowed to do if I feel like it.
Secrets are the blood of life. Every big thing is a secret, even when you know it, because you never know all of it. If you can know everything about anything, it is not worth knowing.
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