A Quote by Michelle Sagara

Is there anyone’s life story you don’t want to know?” “Not really.” His expression was unexpectedly serious. “Because people make a story of their lives. Gains, losses, tragedy and triumph—you can tell a lot about someone simply by what they put into each category. You can learn a lot about what you put into each category by your reaction to them. They teach you about yourself without ever intending to do it—and they teach you a lot about life.
At the end of their relationship she asked if they could still remain friends. His face stayed expressionless until he said "No. Because we put friends in boxes. You see them once in a while, or even a lot, but still they have their box in your life, their specific place. Their *category.* That's one of the great things about being someone's love-- you have no box in their life because you're part of all their boxes. You're their friend, their lover, their confidante-- all those things. I don't want to be put in one of your boxes and I don't want to shrink you to fit into one of mine.
And when they start talking, and they always do, you find that each of them has a story they want to tell. Everyone, no matter how old or young, has some lesson they want to teach. And I sit there and listen and learn all about life from people who have no idea how to live it.
That story about the two women in my life is - a lot of people get upset, a lot of people question it. Steven Soderbergh said to me, "The story of your life is incredible. The real story of your life that's interesting, more interesting than all the other stuff - the franchises, the movies, the songs, Elvis Presley, Frank Sinatra - the real thing that's interesting and unbelievable is the relationship with these two women. And if you're willing to put that out there, you know then, you're going to have a great movie. Because that's the movie."
When football is your job, a lot of what you feel about yourself and about life can become attached to the outcome of those games. That's probably true about a lot of jobs, but we suffer our losses pretty publicly. When you're not getting the results you want, it becomes easy to get depressed.
The sad thing about our society is that women are put in one of two categories. You're either in the beautiful category and you're seen as sexy and beautiful, or some version of that, or you're put into another category... The latter category affords women the opportunity to be smart, funny, independent, mean, strong, intelligent and opinionated. We take them seriously as politicians, if they fit into that latter category. We respect their opinions more and give them higher expectations. That latter category is what allows female actors to be characters.
'Farscape' is a story about family. It's a story about creating life in a harsh environment. That's what a lot of people relate to in the story.
A lot of my books deal with very controversial issues that most people often don't want to talk about, issues that, in my country, are more likely to get put under the carpet than get discussed. And when you talk about moral conundrums, about shades of gray, what you're doing is asking the people who want the world to be black and white to realize instead that maybe it's all right if it isn't. I know you'll learn something picking up my books, but my goal as a writer is not to teach you but to make you ask more questions.
I know a lot of people connect with my story. Every night that I do shows, I get emails and texts and tweets about how my life story has helped change other people's lives. With my sobriety and what I went through. I don't do a whole bunch of songs, that from start to end talk about one particular thing. That's a missing puzzle.
I really haven't had that exciting of a life. There are a lot of things I wish I would have done, instead of just sitting around and complaining about having a boring life. So I pretty much like to make it up. I'd rather tell a story about somebody else.
When we teach a child to sing or play the flute, we teach her how to listen. When we teach her to draw, we teach her to see. When we teach a child to dance, we teach him about his body and about space, and when he acts on a stage, he learns about character and motivation. When we teach a child design, we reveal the geometry of the world. When we teach children about the folk and traditional arts and the great masterpieces of the world, we teach them to celebrate their roots and find their own place in history.
I don't want you to write about what you know, because you don't know anything. I don't want to hear about your boyfriend or your grandma... I'm getting a little tired of 'my life story as fiction'. Please don't tell me about your little life - is there nothing larger? More important?
I’d do almost anything for you,” Simon said quietly. “I’d die for you. You know that. But would I kill someone else, someone innocent? What about a lot of innocent lives? What about the whole world? Is it really love to tell someone that if it came down to picking between them and every other life on the planet, you’d pick them? Is that—I don’t know, is that a moral sort of love at all?
'The Lady' is an incredible love story about how a family was cut off from each other, about sacrifice, about the ability to put the needs of million of people before your own.
The fact that I have a Southern accent and write about a lot of rural things leads people to put me in the country category.
Watching children grow up, you learn a lot about life and about being a better person - you learn a lot about what's really important in the world and what isn't.
To really talk about African story, and teach this story, you have to teach that tribes were actually nations. You have to teach that chiefs were actually kings, with kingdoms. You have to teach that there was a structure that worked in Africa prior to colonialism. You have to teach that countries were colonized that were doing fine by themselves. And that's uncomfortable.
This site uses cookies to ensure you get the best experience. More info...
Got it!