A Quote by Michelle Visage

Dublin is really fun, and Irish people are hilarious. — © Michelle Visage
Dublin is really fun, and Irish people are hilarious.
I always went to Ireland as a child. I remember trips to Dundalk, Wexford, Cork and Dublin. My gran was born in Dublin, and we had a lot of Irish friends, so we'd stay on their farms and go fishing. They were fantastic holidays - being outdoors all day and coming home to a really warm welcome in the evenings.
Patrick Pearse - who set the events of 1916 in motion when he read the Proclamation of the Irish Republic from the steps of the General Post Office in Dublin - is not exactly an unfamiliar name to the Miramichi Irish.
The White House was designed by Hoban, a noted Irish-American architect, and I have no doubt that he believed by incorporating several features of the Dublin style he would make it more homelike for any President of Irish descent. It was a long wait, but I appreciate his efforts.
When's the last time you walked by a pub in Dublin and heard Irish music? When's the last time you ordered a coffee and heard an Irish accent?
Irish is harder to pull off. I know southern people and I really like the midwest, so I can tap into that a little bit. It's easier to sound angry with southern than it is Irish. Yelling Irish you can sound like an angry Leprechaun. I think me screaming like I am going to kill you in Irish doesn't work.
I'm crazy about Dublin. If you went back 3,000 years in my ancestry you wouldn't find a drop of Irish blood in the veins, but I love the place.
I don't think Ireland has really embraced me, but it is not really for me to say. Obviously, people shouldn't embrace me just because I'm Irish, but it is where I'm from. I'm extremely proud to be Irish.
What's fascinating is where they come from in the world. People in Bangladesh, a chap in a fire-base in Tikrit in Iraq. Chap in an Irish pub in Dublin. And lovely to think this literary network - or rather network of readers - is well spread out.
I'm Irish and very proud of being Irish, but as an actor, your extraction should be secondary, really. You should be able to embody whatever character it is, wherever the character comes from. That's always been important, for me. I'm an actor who's Irish, not an Irish actor.
The English and Americans dislike only some Irish--the same Irish that the Irish themselves detest, Irish writers--the ones that think.
Inherently in us as Irish people, wherever you are in the world, when you hear an Irish accent, it's like a moth to a flame. There's a real personable pride and camaraderie about being Irish.
I suspect that the only thing that will take Articles Two and Three out of the Irish Constitution is when the bombs begin to blow in Dublin in the way that they have been in Belfast and in London.
The first play I wrote was called 'Twenty-five.' It was played by our company in Dublin and London, and was adapted and translated into Irish and played in America.
I feel warm toward my Irish side, but I don't know the country or the people. Hearing a traditional Irish fiddle, I feel very connected to Ireland, but that's a nostalgia many people feel who aren't Irish at all.
My dad is and was very funny and had a really dry sense of humor, which, as a kid, seemed un-fun. But in retrospect, it's kind of hilarious.
All my family look Irish. They act Irish. My sister even has red hair... it's crazy. I'm the one that doesn't seem Irish. None of the kids in my family, my siblings, speak with an Irish accent... we've never lived there full-time; we weren't born there. We just go there once or twice a year. It's weird. Our parents sound Irish, but we don't.
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