A Quote by Michelle Visage
There are a lot of kids out there that look at me as their mother, and I have my two biological children, and there are so many queens that look at me as an aunt or some sort of confidante, and I can absorb it really well.
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These parents, they think I'm a role model for their kids, that their kids look at me as some sort of idol. But it's the parents' job to make sure their kids don't turn out that shallow.
It's my theory that many writers were the confidantes of one or the other parent. I was my mother's confidante; she had been her mother's confidante.
My first banjo? My mother's sister, my aunt, lived about a mile from where we did, and she raised some hogs. And she had - her - the hog - the mother - they called the mother a sow - of a hog. And she had some pigs. Well, the pigs were real pretty, and I was going to high school and I was taking agriculture in school. And I sort of got a notion that I'd like to do that, raise some hogs. And so my aunt had this old banjo, and my mother told me, said, which do you want, the pig or a banjo? And each one of them's $5 each. I said, I'll just take the banjo.
My lawyer is telling me I have to take some responsibility about the welfare of the children. Do I want the kids? Hell no. Does it look good for me to ask for them? Absolutely. I don't want to look like the woman who gave away her kids and just forgot about them.
Drag really isn't just about exaggerating and celebrating femininity. Some drag queens want to look like monsters, some drag queens want to look like hot dogs. Really what it is is just dipping your toes in all the swimming pools of identity and allowing yourself. Because society really tries to compartmentalize humans in a certain way.
I know the importance of family. I mean, it really completes me as a person. I want lots of children; I want so many children. I look at babies' pictures, and I am like... I love kids.
And ain't I a woman? Look at me! Look at my arm! I have ploughed and planted, and gathered into barns, and no man could head me! And ain't I a woman? I could work as much and eat as much as a man - when I could get it - and bear the lash as well! And ain't I a woman? I have borne thirteen children, and seen most all sold off to slavery, and when I cried out with my mother's grief, none but Jesus heard me! And ain't I a woman?
The reason I'm in this business, I assume all performers are -- it's Look at me, Ma! It's acceptance, you know -- Look at me, Ma, look at me, Ma, look at me, Ma. And if your mother watches, you'll show off till you're exhausted; but if your mother goes, Ptshew!
It's great for the little girls coming through the system now to have women to look up to because, when I was younger, my role models were more, like, Michael Owen and players from the men's team, but I get kids messaging me now saying they look up to me, and that's really touching for me, but it's great for the kids to have people to look up to.
I was raised by my great-great aunt. I was adopted within our family. My mother had me when she was, I think, 15, 16. They tried to get her to have an abortion and she refused. So, my 'mama' adopted me, which was really her great aunt, which was really my great-great aunt, who was named Viola Dickerson. I was told that my mother was my sister.
There are so many kids in this world, and in this country, that need homes. And so we're perfectly content to look into adoption one day, if for some reason we aren't able to have a biological child.
Well, in fact if you look at the Trump voters, you take a look at their attitudes it's not all that different. In some respects they're similar. They're an older version of the Sanders people. So a lot of it is racist and you have that sort of thing, but if you look at their views on say health, education, and so on, it's kind of the same as Sanders.
For me, when I have those moments of getting down on my body - let's say, for example, my stomach doesn't look my stomach before I had kids, just saying - that bums me out, so I really have to shift that negative into a positive and get really grateful for the fact that my body delivered me two amazing little girls.
I think, then, there's the sort of, like, political dimension to lyrics. One of the problems that I've had with my output as a lyric writer is that I look back at it and there's some turn-of-phrases and some images and some kind of montage-y kinds of things I'm really proud of. But it kind of bums me out that people have told me again and again that they don't really understand what I'm trying to say.
There are a lot of kids who look up to me, and I want to do well.
I go to Malawi twice a year. It's where two of my children were adopted from, and I have a lot of projects there that I go and check up on and children who I look after. It's sort of a commitment that I've made to this country and the hundreds of thousands of children there who have been orphaned by AIDS.
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