A Quote by Michelle Williams
Every movie I make I find kind of excruciating. I get a lot back from it, but I feel like I'm kind of always working at the edge of my ability. I guess that's what I'm looking for when I go to work. I am trying to become the edge.
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I kind of dropped a lot of bad habits about three years ago and became kind of accidentally straight-edge. I don't have Xs on my hands, but I guess if I wanted to go back to calling myself straight-edge, I could. Around that same time I started running. I never saw myself as the kind of person who would become a runner. It seemed unfathomable to me that I would ever run three miles, let alone 26.2.
It's harder to play drums than guitar, physically. I'm always kind of on the edge. I guess that's how I play everything: on the edge of my ability.
Sure, I’m dramatic and sloppily semi-cynical and semi-sentimental. But, in leisure years I could grow and choose my way. Now I am living on the edge. We all are on the brink, and it takes a lot of nerve, a lot of energy, to teeter on the edge, looking over, looking down into the windy blackness and not being quite able to make out, through the yellow, stinking mist, just what lies below in the slime, in the oozing, vomit-streaked slime; and so I could go on, my thoughts, writing much, trying to find the core, the meaning for myself.
We feel like we're kind of movie guys working in TV. So we're looking forward to that day when we get to work in that medium.
There's a kind of edge to what you're doing, the kind of leading edge of what you're doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. "I've pulled that one out before. Oh, no, I can't I'm just fed up with that. Let's do something else."And you always think "Oh my God I've never done anything at all like that before." But, of course, in retrospect, and to an outsider, they'll say, "Oh, yeah that's typical Eno.
When you rebound, you've got to get some edge. You get some elbows early in the game, it kind of gets your blood flowing. Then you're kind of just on edge, just aggressive from there.
I'm trying to find a way to make music work as a living. People used to make their living selling albums. Those days are over! It's kind of an odd time. I guess it's kind of like writing.
When I was a child, I had posters of James Dean in my room. I was a big admirer of his work and was fascinated by him living on the edge. Looking back, my life was kind of the same.
I think that's something a scientist can do because a scientist works at a border, at the edge of science, at the edge of knowledge, and so there's a lot of fun of reaching out and thinking about things that other people didn't think about. And so it has a kind of exploratory notion, kind of adventurous part in it.
There was no Groundlings or Upright Citizens Brigade where I was from. Looking back on it, I was trying to do sketch comedy in my stand-up, which is still kind of what I am doing now. To go full-circle here, it's kind of like one-man sketch.
If you look back over the history of computing, it started as mainframes or terminals. As PCs or work stations became prevalent, computing moved to the edge, and we had applications that took advantage of edge computing and the CPU and processing power at the edge. Cloud computing brought things back to the center.
I just find the people I want to work with and put it all together, and it's a lot of hard work, and all kinds of catastrophes happen, but I don't really get too much resistance. But when you make a movie, it seems like there's nothing but resistance. It's kind of a miracle that any movie ever gets made.
As a coach, you're just trying to figure out how to keep a team on edge. You've got to find that edge.
If I like hardcore straight-edge punk music, gentle psychedelic folk music, gangster rap, indie-rock with a lot of guitar pedals, and I find inspiration from all these things in different songs of mine, shouldn't I be allowed to make any of this kind of music that I want? And it's the same for the comic books, why should I only make autobiographical stories? Or only political stories? Or only superhero stories? Or only comedy stories? I am a bit creatively desperate, when I sit with a pen and paper I am desperate for ANY idea that makes me excited, I don't care what kind of idea it is!
I'm always kind of hoping that I'll get a movie that shoots in Alabama so I can go back and kind of get a break from my city life.
I'm apparently attracted to things that are on the edge of what America really wants to watch: 'Six Feet Under,' 'Sports Night,' 'Dirty Sexy Money,' and 'Parenthood' were always struggling in the ratings. It was kind of heartbreaking not knowing if we get to come back every season.
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