A Quote by Michelle Wu

The first time I set foot in Boston City Hall, I felt invisible - swallowed up by the cavernous concrete hallways, and shrunk down even more with every checkpoint and looming government counter. My immigrant family tried to stay away from spaces like these.
From the windows of my office in Boston ... I can see the Golden Stairs from Boston Harbor where all eight of my great-grandparents set foot on this great land for the first time. That immigrant spirit of limitless possibility animates America even today.
If you don't connect yourself to your family and to the world in some fashion, through your job or whatever it is you do, you feel like you're disappearing, you feel like you're fading away, you know? I felt like that for a very very long time. Growing up, I felt like that a lot. I was just invisible; an invisible person. I think that feeling, wherever it appears, and I grew up around people who felt that way, it's an enormous source of pain; the struggle to make yourself felt and visible. To have some impact, and to create meaning for yourself, and for the people you come in touch with.
On the corner of 57th and 7th Avenue sits the most famous concert hall in the world. No less a figure than when Tchaikovsky led the first performances in 1891. Virtually every major artist has performed there. There is simply no place like it. The first time I stepped foot in Carnegie Hall was in 1964.
Every time you think of a city, you have to think green, green, green. Every time you see concrete jungle, you must find open spaces. And when you find open spaces, make it so people can get to them.
My first day in Chicago, September 4, 1983. I set foot in this city, and just walking down the street, it was like roots, like the motherland. I knew I belonged here.
When I gaze into the stars, they look down upon me with pity from their serene and silent spaces, like eyes glistening with tears over the little lot of man. Thousands of generations, all as noisy as our own, have been swallowed up by time, and there remains no record of them any more. Yet Arcturus and Orion, Sirius and Pleiades, are still shining in their courses, clear and young, as when the shepherd first noted them in the plain of Shinar!
It's time to start bringing the congregations down to City Hall and to ask the mayors, the city councils and the school boards, "What's the plan? What's the local government going to do for us?"
I was a tried seaman when, for the first time, I set foot upon the soil of my country, and took up my residence where my people had lived for over two hundred years.
I can remember how I felt the first time I was knocked out by Floyd Mayweather Jr. My first fight afterwards was against Juan Lazcano at the City of Manchester Stadium. Every time I got punched I felt like I would wobble.
Except even at the start, when we were in that can't-get-enough-of-you-phase, there was like some invisible wall between us. At first I tried to take it down, but it took so much effort to even make cracks. And then I got tired of trying. Then I justified it. This was just how adult relationships were, how love felt once you had a few battle scars.
For me, it's a responsibility to represent my family every time I step foot in the ring. When I came into this WWE business, there was a bar set for me. My goal is to push it as high as I can to make my family's legacy even stronger. To add to the history that's already been created. So for me, it's a huge challenge that I'm willing to fight for every single day.
In a family, you take on each other's problems and joys differently, and more intensely. The amplitude - and the undulation of the family - is different from the people you just generally bump into on the street, because you're chained together. And what happens if you break that chain? In almost every family that I know, someone has escaped, set themselves free, tried to run away - whatever what you want to call it. And often, they are made more conspicuous by their absence.
Sometimes I don't pick up the guitar for six months or so," "Other times I get away, go to a hotel or something, to write songs. Or go stay with a friend and bring the dog and do stuff away from my normal routine. Then I sit down and play guitar at night. I do it differently every time . There is no set way.
The problem in Syria, I think, is that when there is so much violence, there is not only very little chance to create spaces for liberation, but also all talk is quickly swallowed up by it. People are trying to keep their heads down because they are being bombarded all the time.
I think competing is more important than winning. There have been a lot of times when I've teed it up and I didn't win but I felt like I competed. I felt like this was not my day, but I never gave up, and I tried on every shot, and then next week I'd go get them.
And then Adam Wilde shows up at Carnegie Hall on the biggest night of my career, and it felt like more than a coincidence. It felt like a gift. From them. For my first recital ever, they gave me a cello. And for this one, they gave me you.
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