A Quote by Michelle Yeoh

That's the magic of filmmaking, to draw the audience into an exotic world and keep them there and keep the suspense. — © Michelle Yeoh
That's the magic of filmmaking, to draw the audience into an exotic world and keep them there and keep the suspense.
What's important in the filmmaking process has stayed the same. Keep it small, keep it personal, keep it authentic, work with people you like and trust. That process is much longer than the filmmaking process. The development process is a long one, so try and say something of importance.
Keep thinking, keep interested, keep praying, keep dreaming. Be mentally sensitive at all times so that the magic word that motivates you may one day speak to your deep inner self.
In episodic TV you have to keep things secret to keep the viewer in suspense.
As long as you keep the audience on the edge of their seats, either scare them or keep them guessing, you can put anything in there that you want.
Nothing is ever quick. You have to grow an audience, keep them engaged, give them a reason to keep coming back so it will never be an overnight success. Have patience!
And so then, keep on growing, My son. Keep on becoming. And keep on deciding what you want to become in the next highest version of your Self. Keep on working toward that. Keep on! Keep on! This is God Work we're up to, you and I. So keep on!
Unlike someone like Tom Hanks, or U2, the comics industry is not a thriving industry and we all need to keep and expand our audience. The best way to do that is to keep the fans we have happy and to keep them excited about our next projects so they'll keep following our work. The best way to do that is to continually engage them in conversation. I don't mean to sound flippant by any means. We're not being nice to our fans because we have to.
[With theater] you draw the audience into the room as best you can, and in film, you can draw them into the room, you can draw them outside into the desert, you can take them out into the ocean, you can do all these amazing things.
There is nothing like suspense and anxiety for barricading a human's mind against the Enemy. He wants men to be concerned with what they do; our business is to keep them thinking about what will happen to them.
We must not pull away from our children. We must keep trying, keep reaching, keep praying, keep listening. We must keep them within the clasp of our arms.
Painting and photography keep the creative channel open, and for an actor, it's to keep alive, it's to keep awake, it's to keep watching, it's to keep feeling, it's to keep enjoying, to keep that sensuality of feeling alive.
What shouldn't you do if you're a young playwright? Don't bore the audience! I mean, even if you have to resort to totally arbitrary killing on stage, or pointless gunfire, at least it'll catch their attention and keep them awake. Just keep the thing going any way you can.
As an actor, you should always keep your trump card hidden from your audience. I want the audience to keep expecting more and more from me. I want to do 'different' work - good and memorable roles - so that audience appreciate me more. That's why I love to surprise my audience with something they never expect me to do.
If we don't find a way to keep women in the workforce, keep them productive, keep them happy, we are literally just throwing our investment down the drain, and we can't afford to do that.
It's really important to keep sponsoring young people so the audience gets used to them and starts enjoying them. They're the only way your show can keep going, otherwise it's going to burn out in one or two years. Hopefully you're creating your headliners of the future.
Calling something exotic emphasizes its distance from the reader. We don't refer to things as exotic if we think of them as ordinary. We call something exotic if it's so different that we see no way to emulate it or understand how it came to be. We call someone exotic if we aren't especially interested in viewing them as people - just as objects representing their culture.
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