A Quote by Michelle Yeoh

You never know whether the subject matter will click with the audience at that particular time. I wish there was a formula, you know, 'That plus that equals success.' — © Michelle Yeoh
You never know whether the subject matter will click with the audience at that particular time. I wish there was a formula, you know, 'That plus that equals success.'
The subject matter that I am really spending my time on has become an acceptable subject matter. Living, lifestyle, family, is now in the forefront of interest in America, and I've just stuck with it. I mean, I've been doing this for years, and I never got angry. I never said, you know, listen, I'm fighting for this subject. That wasn't my point. My point was to continue working in a subject matter, knowing full well that finally it would be recognized as a viable subject once again.
Approaching subject matter to photograph is like meeting a person and beginning a conversation. How does one know ahead of time where that will lead, what the subject matter will be, how intimate it will become, how long the potential relationship will last? Certainly, a sense of curiosity and a willingness to be patient to allow the subject matter to reveal itself are important elements in this process.
You never know how a film will play, whether it will be successful or not, or whether it will touch the audience. I always said to myself that whatever happens, big audience or small, that I would not let the results have an impact on my way of working. But it would be a bit silly for me to change my methods when I have a big success. That means my methods work well.
Once we know the number one, we believe that we know the number two, because one plus one equals two. We forget that first we must know the meaning of plus.
You can do anything if you set your mind to it. Look out for kids, help them dream and be inspired. We teach calculus in schools, but I believe the most important formula is courage plus dreams equals success.
If A is a success in life, then A equals x plus y plus z. Work is x; y is play; and z is keeping your mouth shut
I wish you power that equals your intelligence and your strength. I wish you success that equals your talent and determination. And I wish you faith.
I see theater as a simple formula. Audience plus players plus story makes the play.
There are times I wish I didn't have a job, even though I love my job: I get to work with interesting, eccentric colleagues and equally interesting and eccentric subject matter, both of which are rarities. But, naturally, I would treasure having more freedom someday: of time and of movement. Will I always have a full-time job? I don't know. But I do know that I need to spend at least part of my week in an office, with other people.
It's very difficult to know exactly what a major audience is going to respond to. 'We know they respond to certain personalities. That has been proven by the success of certain people in television who have gone from show to show and carried an audience with them. Apart from that, it's very hard to say what formula works.
A formula for comedy is comedy equals tragedy plus time. A difficult or uncomfortable situation takes place, and then you laugh about it later down the road.
The question is not whether the formula for success will work, but rather whether the person will work the formula.
Most of the things that really matter require faith. 'How do I know that my wife loves me?' 'How do I know that Mozart's 'Jupiter Symphony' is sublime and beautiful?' There are all sorts of things which come at a more lowly level than that - 'How do I know that two plus two equals four?' There are different layers, different types of knowing.
Most of the things that really matter require faith. How do I know that my wife loves me? How do I know that Mozarts Jupiter Symphony is sublime and beautiful? There are all sorts of things which come at a more lowly level than that - How do I know that two plus two equals four? There are different layers, different types of knowing.
You can be an artist without visual images, a reader without eyes, a mass of erudition with a bad elementary memory. In almost any subject your passion for the subject will save you. If you only care enough for a result, you will almost certainly attain it. If you wish to be rich, you will be rich; if you wish to be learned, you will be learned; if you wish to be good, you will be good. Only you must, then, really wish these things, and wish them with exclusiveness, and not wish at the same time a hundred other incompatible things just as strongly.
On Elsewhere we fool ourselves into thinking we know what will be just because we know the amount of time we have left. We know this, but we never really know what will be. We never know what will happen.
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