A Quote by Michelle Yeoh

If you were ever a ballerina, you know the pain: just to be able to look like it's all so light, but when they take off their shoes, it's all bloody. — © Michelle Yeoh
If you were ever a ballerina, you know the pain: just to be able to look like it's all so light, but when they take off their shoes, it's all bloody.
If my mother was taking pictures, I never wanted her to take the camera off me, ever. When I look at my videos from when I was even just two, I would be playing ballerina.
Yeah, a lot of people ask me to take my shirt off, which is aggressive. I wish that I were just one of those guys who was just like, "You know, look, when I was seven I had a six-pack, and it just never went away."
Yeah, a lot of people ask me to take my shirt off, which is aggressive. I wish that I were just one of those guys who was just like, 'You know, look, when I was seven I had a six-pack, and it just never went away.'
Have you ever experienced a pain so sharp in your heart that it's all you can do to take a breath? It's a pain you wouldn't wish on your worst enemy; you wouldn't want to pass it on to anyone else for fear he or she might not be able to bear it. It's the pain of being betrayed by a person with whom you've fallen in love. It's not as serious as death, but it feels a whole lot like it, and as I've come to learn, pain is pain any way you slice it.
I think there was, like, a childhood moment where I had to pick shoes, either non-marking or marking shoes. The marking shoes were Spider-Man shoes. I'm like, 'Well, I want the Spider-Man shoes.' But I also didn't want to mark the court; I want to be able to play. I chose the generic, non-marking shoes.
If a chick wants to know who makes my shoes, she's got to take them off my feet and look inside.
But I have a problem with the term 'light'. I never in my life knew what to do with that. I know that people have mentioned on some occasions that 'Richter is all about light', and that 'the paintings have a special light', and I never knew what they were talking about. I was never interested in light. Light is there and you turn it on or you turn it off, with sun or without sun. I don't know what the 'problematic of light' is. I take it as a metaphor for a different quality, which is similarly difficult to describe. Good.
No Difference Small as a peanut, Big as a giant, We're all the same size When we turn off the light. Rich as a sultan, Poor as a mite, We're all worth the same When we turn off the light. Red, black or orange, Yellow or white, We all look the same When we turn off the light. So maybe the way, To make everything right Is for god to just reach out And turn off the light!
Everyone says "I wish I was in your shoes...", the hundreds of people that wish they were in my shoes don't know the tenth of it. If they were in my shoes they would cry like a baby.
Sometimes I don't even pull my shoes off for six weeks at a time, except, you know, just to take a shower. I just take breaks between 24 hours a day, just a break now and then, it don't take me long to rest; maybe 20 to30 minutes sometime, or maybe an hour.
I push myself hard. I don't like pain, exactly, but as a ballerina, I lived in constant pain. At ballet school in Stockholm, I remember we had a locker where if someone had been to the doctor and gotten painkillers, we divided them among us. In a sense, we were all addicted.
I don't know if I would ever have costume changes - usually I just end up taking off my shoes, I get so sweaty, and... I just need to be comfortable.
I have so many friends who, if I ever even vaguely look like getting uppity, which touch wood I never have, they would just say, 'Look, come on, pull yourself together! Don't be so bloody grand!'
I always wanted to make a light that looks like the light you see in your dream. Because the way that light infuses the dream, the way the atmosphere is colored, the way light rains off people with auras and things like that...We don't normally see light like that. But we all know it. So this is no unfamiliar territory - or not unfamiliar light. I like to have this kind of light that reminds us of this other place we know.
You go to something like the Golden Globes, and it's the most glamorous place you could ever be, but then you go home and you're still like, 'Urgh, this dress is too tight, I wanna take off these shoes and put on my pyjamas.' At the end of the night all the glamour goes away and you're just a human.
If you put on shoes that are too tight and walk out across an empty plain, you will not feel the freedom of the place unless you take off your shoes. Your shoe-constriction has you confined. At night before sleeping you take off the tight shoes, and your soul releases into a place it knows. Dreams glide deeper.
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