A Quote by Michelle Yeoh

As an actor, you are always looking for roles that will challenge you, and when I came upon Aung San Suu Kyi, it wasn't just about that but also about stepping into the shoes of someone who means so much to millions of people.
I gathered as much reading material about Aung San Suu Kyi and about Burma as I could. And I read every article and every book she had written. I also had 200 hours of footage of her to watch. I tried to discover who were her heroes and where he desire and strength to pursue democracy in a non-violent fashion came from.
I would love to do a biopic based on Aung San Suu Kyi's life.
We pray that Aung San Suu Kyi and her country are now on a path to freedom
Playing Aung San Suu Kyi was a journey in itself. She represents many things for many people and for many reasons. Although I have played many important roles in my life, I can say that this role has been a journey of self-realisation.
Seeing Pax get extra-nervous about which shirt he is going to wear when he meets Aung San Suu Kyi, I get very moved. He rightfully doesn't get nervous going to a movie premiere; he gets nervous going to meet her.
Aung San Suu Kyi's late husband, Michael Aris, was a good friend of mine at St Antony's, Oxford. The gentlest of gentle academics, he helped establish a centre in Tibetan studies at Oxford and converted to Buddhism.
One example that has hurt me is that of Aung San Suu Kyi. I admire her a lot, but her unwillingness to protect the Rohingiya Muslims shows how intolerance has seeped into politics and the level at which it has seeped. It immobilises politicians.
I'm inspired by strong, courageous women. My mother is the definition of a self-sufficient, independent woman whom I have always looked up to. I also greatly admire incredible women like Aung San Suu Kyi, and human rights attorney Nasrin Sotoudeh, who was wrongfully imprisoned for 4 years in Iran, simply for giving a voice to the voiceless and defending the helpless. And I'm in awe of the young Pakistani student and activist, Malala Yousafzai, for her bravery and resilience in the face of brutal repression.
I feel like I always learn when I'm writing, even when I'm not writing about myself. I'm careful not to judge; I try to internalize and empathize with the characters. Stepping into that person's shoes is transformative. It changes you. Looking at my own life, it's also humbling to write.
I am a known actor who wants to challenge himself in difficult roles. I am not a star but an actor, so I am always looking for strong scripts and strong roles.
We always see Aung San as a strong, tough woman. There are two stories running in parallel. You see the contradictions between the East and the West, and you see someone who does mundane and normal things - someone who's supposed to be a housewife - and then someone who's become important and imprisoned.
Acting in an epic and a non-fictional film is a big challenge for actors, as they need to research extensively about the characters they are playing before stepping into their shoes.
San Suu's story will always involve politics, but the essence is the love story.
You know, almost everyone is an irritant to me. I think people have forgotten what the word 'public' means. 'Public' means you're going to be irritated. It's a natural consequence of leaving one's home. You go outside, and there are people who are irritating. I'll be standing on the sidewalk, and someone berates me for smoking. I look at the person and think, but what about your shoes? How can you wear shoes like that and have the confidence to accost someone like me?
The odd thing is if you asked me to do the accent now I would find it very difficult unless I was also playing that part, because I associate it so much with entering into the role and stepping into someone else's shoes.
When someone can't afford to wear shoes, it's not just about them not having shoes on that day. It's about a cycle of poverty that exists within their community.
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