A Quote by Michelle Yeoh

It's very important that I'm approaching a character that I've either not played before, or I can give it a different take. — © Michelle Yeoh
It's very important that I'm approaching a character that I've either not played before, or I can give it a different take.
I've taken two weeks off before I've played a major, and I've played two straight weeks before a major as well. I definitely feel it's important, whether I've taken time off or played right before, that I take necessary rest time in the weeks before the tournament.
I have come to realize that an early symptom of approaching mental illness is the belief that one's work is terribly important. If you consider your work very important you should take a day off.
Certainly my time on 'Revenge' was great; it was a different character I'd never played before.
The type of acting that I'm interested in, that I aspire to, is where I try and drag a lot of myself into whatever character it is. They can be very different types of characters, but at the heart of it, I always wanted to be a very, very believable and rooted in reality. One of the ways of doing that is to root it as much as you can in your own experiences and then tint those with different hues, different colors to give the different characters their way.
It's still a trip for me to see somebody that I've only seen on television or in a movie. When they are there in real life, it's very different. When we played Detroit, Kevin Costner played before us.
My character in the first instalment of 'GOW' was very shy and reserved. It was completely different from 'Kahaani,' where I played a no-nonsense cop. And in the second instalment of 'GOW,' it is again very different.
'Rangrasiya' was a very special show for me. It played a very important part in shaping up my career. I feel it was a premature end to the show. My character Rudra was very close to my heart.
I have played in rain before. I have played in wind before. I have played in cold before, but not all put together. They were the hardest conditions I ever played in.
I've played a different type of character in a different type of thing, for the most part. It's not like you can't mine tons of fascinating stuff from any character that you play, and I've always been fascinated with women and relationships, but this has been a completely different experience, for sure.
'Kanchana' is not exactly a sequel. Only the character played by me is the same as in the original but the storyline is very different.
I played this character twice in live action, and now I've become an animated character. It was actually fun to see myself drawn - I've never been a drawn character before.
I've played a lot of different positions, and when I've played in my favourite position as an attacking midfielder, I played well, I was important and created a lot of occasions.
The first idea of Captain Fantastic was a pretty radically different one. The genesis had to do with parenting and questions about parenthood and fatherhood specifically. I have two kids and I was grappling with what my values were and what I wanted to pass to my children. So I was positing different kinds of parents and different ways of parenting. I played with various ideas - very permissive parenting, very restrictive parenting and then I came up with the character of Viggo Mortensen, and much of it was aspirational, some of it was autobiographical.
My character in 'Casa de mi Padre' is an ambitious woman. I had never played that kind of character before.
I don't understand when people say character actors. You either have the protagonist or the antagonist and I've played both. It's an actor's role to play a character. Does that mean that main stream heroes and heroines are characterless?
The first thing you realise very quickly when you decide to do an acoustic version of an electric song is your solo either becomes either very truncated, very different, or non-existent, because even if you play a clean solo, it's different with the Kryptonite... with the acoustic.
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