A Quote by Michelle Zauner
My main memory of 'Soft Sounds' was that I was so convinced that 'Psychopomp' was this fluke - I had this real pressure of avoiding the sophomore slump.
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Soft Sounds' was really hard for me. I was petrified of the 'sophomore slump' so I created an environment to best combat that self-doubt and feelings that my first album was a real fluke.
More than anything, I’m excited to have the artistic freedom and opportunity to make a sophomore record. Everybody dreads the sophomore slump, whereas I am embracing it and can’t wait to either go down in flames, or take it to another level. It’s not going to be in the middle – it’ll be one way or the other. That’s how it has to be.
I was afraid of the sophomore slump even before our first record came out. It was a very real fear because I'd watched so many bands I'd loved in the past not deliver. I knew it was a very real thing. I didn't know why it happens, but I'd been thinking about it a lot.
I know a lot of people feel pressure with their major label sophomore CD and having to follow up their first record real good. Well, we didn't have that pressure, because we have a real loyal fanbase, not a fanbase because we're on the radio, know what I mean?
I never even thought the sophomore slump existed. You hear the saying, but you never thought it was for real or anything. But that's kind of what happened to us last year, and I don't know really why that is.
There's always been a lot of pressure and tension on the line. If 'Pi' didn't work out, I have no idea what my career would be. I don't think I would have gotten another shot at it. If 'Requiem for a Dream' didn't work out, they would have called me a 'one-hit wonder with a sophomore slump'.
You know, in college, your second year they expect you to have a sophomore slump.
I love that tension between machine sounds and organic sounds, and also the contrast between abrasive sounds and soft sounds.
There's nothing simpler than avoiding people you don't like. Avoiding one's friends, that's the real test.
A writer's main tool is his memory - his own memory, the collective memory of his people. And the strongest memory is the one that is created by a wound to the heart.
The lancet fluke (Dicrocoelium) infects the brain of ants by taking control and driving them to climb to the top of a blade of grass where they can be eaten by a cow. The ingested fluke then lays eggs in the cow gut. Eventually, the eggs exit the cow, and hungry snails eat the dung (and fluke eggs). The fluke enters the snail's digestive gland and gets excreted in sticky slime full of a seething mass of flukes to be drunk by ants as a source of moisture.
Karen wasn't hard, she was soft, too soft. A soft touch. Her hair was soft, her smile was soft, her voice was soft. She was so soft there was no resistance. Hard things sank into her, they went right through her, and if she made a real effort, out the other side. Then she didn't have to see them or hear them, or even touch them.
Now that I understand how publishing schedules work, I can understand why many authors have the sophomore slump. A year is a long time to wait for a sequel, but it's a short, short time to WRITE a sequel.
In my freshman year of high school, I don't think I had a single date. I was really shy, really timid and quiet. I had my first real date when I was a sophomore, with a girl from church.
Um, well my main profession is acting and music is what I love doing. It's kind of nice like that in a way because it means I'm under no real pressure with the music. I have got complete creative control and I can make whatever I want. So, that takes a lot of the pressures off because there's no financial pressure. And it's something I've always loved doing.
I'm just a sucker for new-agey synth sounds and instrumentation. I wasn't really thinking of soft rock, but I know that kind of quiet-storm format uses a lot of these sounds.
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